Théodore Géricault
Persan tenant un cheval (Persian Holding a Horse) [recto]; A man lying on his back, study for Raft of the Medusa and Study of male head in profile [verso]

Persan tenant un cheval (Persian Holding a Horse) [recto]; A man lying on his back, study for Raft of the Medusa and Study of male head in profile [verso]

Public Domain

Persan tenant un cheval (Persian Holding a Horse) [recto]; A man lying on his back, study for Raft of the Medusa and Study of male head in profile [verso]
CultureFrench
Titles
  • Persan tenant un cheval (Persian Holding a Horse) [recto]; A man lying on his back, study for Raft of the Medusa and Study of male head in profile [verso]
Datec. 1817–1822
MediumPen and brown ink with graphite on beige wove paper [recto]; Graphite on beige wove paper [verso]
DimensionsSheet: 6 5/8 × 7 1/8 in. (16.8 × 18.1 cm)
Credit LineMuseum purchase funded by the Buddy Taub Foundation, Dennis A. Roach and Jill Roach, Directors
Object number2014.753.A,.B
Not on view

Explore Further

ProvenanceHenri Currie Marillier, London, (1865-1951); by inheritance, the Marillier family; private collection, Paris; [Artcurial, Paris, (Briest, Poulain, F. Tajan), “Dessins Anciens et Du XIXe Siècle” sale, March 24, 2010, lot 67, pp. 52-53, recto & verso]; [Galerie de Bayser, Paris, by 2013-2014]; private Collection, Paris; purchased by MFAH, 2014.
Exhibition History"Vignettes: Masterworks on Paper 1520 to 1870," The Museum of Fine Arts, Houston, January 14—April 16, 2017.
Inscriptions, Signatures and Marks
Recto: Signed in graphite, lower right edge: par Géricault
Recto: Signed in graphite, lower right edge: par Géricault
Printed label on verso:
• DE BAYSER • / THÉODORE GERICAULT (1791-1824) / PERSAN TENANT UN CHEVAL / BIBLIOGRAPHIE: GERMAIN BAZIN, THÉODORE / GERICAUL, CATALOGUE RAISONNÉ, TOME V, PARIS / 1992, Nø1869 p.293 ILL. / 45.000 £
Catalogue raisonnéBazin, V, p 293, cat. 1869, illus.

Cataloguing data may change with further research.

If you have questions about this work of art or the MFAH Online Collection please contact us.

Woodman’s Cottage, Bagley Wood [recto]; Study of Young Oak Trees (Bagley Wood) [verso]
William Turner of Oxford
c. 1830
Watercolor, gouache, and graphite on blue wove paper (recto); graphite with white gouache on blue wove paper (verso) in a washline mount
2024.16.A,.B
Standing woman, Double-sided study for the etching Afternoon Promenade
Mary Cassatt
1881
Recto: Graphite on wove paper Verso: Transferred soft ground on wove paper
2021.835.B
Standing woman, Double-sided study for the etching Afternoon Promenade
Mary Cassatt
1881
Recto: Graphite on wove paper Verso: Transferred soft ground on wove paper
2021.835.A
Standing woman, Double-sided study for the etching Afternoon Promenade
Mary Cassatt
1881
Recto: Graphite on wove paper Verso: Transferred soft ground on wove paper
2021.835.A,.B
Compositional Study
William M. McVey
1927
Watercolor on wove paper [recto]; graphite with watercolor [verso]
29.1
Pont Cyslltau, Denbighshire [recto]; Mountainous landscape [verso]
Thomas Tudor
19th century
Black chalk and watercolor on wove paper (recto); black chalk on wove paper (verso)
2024.278.A,.B
Sin título
Rafael Barradas
early 20th century
Recto: Graphite and watercolor on wove paper Verso: Graphite on wove paper
2016.98
Cheval que l'on ferre (Horse Being Shod)
Théodore Géricault
1823
Lithograph on wove paper, state II/III
91.1565
A Keeper Trying To Restrain an Elephant [recto]
c. 1570–1580
Painting on paper, laid down on green album page [recto], laid down on brown album page [verso]
2014.229.A,.B
Overall recto.
John Bingley Garland
c. 1850–1860
Collage of cut-and pasted engraving, chalk-manner lithograph and etching, with watercolor, gouache, gold, pen and ink and glaze, on beige wove paper
2023.275
Abstract Forms
Max Weber
1917
Pastel on beige wove paper
2016.311