Mary Cassatt
Afternoon Promenade

ArtistAmerican,1844–1926, active France
CultureAmerican
Titles
  • Afternoon Promenade
Date1881
MediumSoft ground etching with aquatint on laid paper, state II/II
DimensionsPlate: 10 7/8 × 8 1/2 in. (27.6 × 21.6 cm)
Sheet: 17 1/16 × 11 3/4 in. (43.3 × 29.8 cm)
Credit LineGift of Dr. and Mrs. Craig Calvert
Object number2021.602
Not on view

Explore Further

Object Type
ProvenanceEdgar Degas (1834-1917) (Lugt 657) [1]; [probably Hôtel Drouot, Paris, Catalogue des estampes anciennes et modernes…faisant partie de la collection Edgar Degas, November 15-16, 1918, lot 55] [2]; [sold to Paris, Durand-Ruel Gallery for 105 f.]; Robert Hartshorne (1866-1927), New York (Lugt 2215b) [3]; thence by descent, to his son, Richard Hartshorne; [Christies, New York, A Mary Cassatt Collection: Prints and Drawings from the Descendants of Robert Hartshorne, 30 October 2007, lot 19]; [Harris Schrank and C.G. Boerner, New York, 2007-2012]; purchased by Craig Calvert, 2012; Craig Calvert collection, Houston, 2012-2021; given to the MFAH, 2021.

[1] Degas had an extensive collection of works by him and his contemporaries in his estate. In the two years after his death, eight auctions occurred, reaching to the highest sum ever made by an artist’s studio.

[2] Blindstamp reads “Atelier Ed. Degas”

[3] Robert Hartshorne primarily collected prints under the guidance of EG Kennedy. Much of his collection was sold by his son Richard Hartshorne in 1945. Other significant portions were sold through Parke-Bernet in 1946 and through Christie’s in 2007.

Inscriptions, Signatures and Marks
Recto: Inscribed in graphite, below plate, left bottom: E1252.; EX78-
Recto: Signed in graphite, below plate, right bottom edge: MC [cursive]; /4
Verso: Inscribed in graphite, left bottom edge: 34
Verso: Inscribed in graphite, right bottom edge: 53
Recto: Signed in graphite, below plate, right bottom edge: MC [cursive]
Verso: [none]
Watermarked: ARCHES
Verso: Stamped in black ink, bottom left corner: RH [Collection of Robert Hartshorne]
Verso: Stamped in red ink, bottom right corner: Atelier Edgar Degas [stamp from the Estate of Edgar Degas]
Catalogue raisonnéBreeskin, Adelyn Dohme. Mary Cassatt: A Catalogue Raisonné of the Graphic Work. Second edition, Revised. (Washington: Smithsonian Institution Press, 1979), p. 47, 92, Cat. 33, state II/II.

Cataloguing data may change with further research.

If you have questions about this work of art or the MFAH Online Collection please contact us.

Standing woman, Double-sided study for the etching Afternoon Promenade
Mary Cassatt
1881
Recto: Graphite on wove paper Verso: Transferred soft ground on wove paper
2021.835.B
Standing woman, Double-sided study for the etching Afternoon Promenade
Mary Cassatt
1881
Recto: Graphite on wove paper Verso: Transferred soft ground on wove paper
2021.835.A
Standing woman, Double-sided study for the etching Afternoon Promenade
Mary Cassatt
1881
Recto: Graphite on wove paper Verso: Transferred soft ground on wove paper
2021.835.A,.B
Vieux Chat Noir et Blanc dans l'Herbe (Old Black and White Cat in the Grass)
Théophile Alexandre Steinlen
1902
Soft ground etching, aquatint, and drypoint in colors on cream wove paper, state II/II, edition 17/25
2013.595
Nurse and Baby Bill (No. 1)
Mary Cassatt
c. 1889–1890
Soft ground etching and aquatint on wove paper
2001.69
Under the Horse-Chestnut Tree
Mary Cassatt
1896–1897
Drypoint and aquatint on laid paper, state III/III
2005.974
21
Brice Marden
1986
Sugar lift aquatint, etching, and scraping on wove paper, artist's proof II/X, state II/II
96.29.21
Overall recto.
Caroline Helena Armington
1937
Etching on laid paper, state II/II, from a planned edition of 80
2022.716
The Horse of Ostend
Robert Sargent Austin
1921
Etching on cream laid paper, state II/II, from the edition of 40
2022.314
Shadows of Venice (Il Ponte di Rialto, Venezia)
John Taylor Arms
1930
Etching on cream laid paper, state II/II, from the edition of 140
2022.315
Saint Thäis
Girolamo Francesco Maria Mazzola (called Parmigianino)
c. 1524–1530
Etching on cream laid paper, state II/II
2013.685
Two warriors, one holding a mace and turning to beckon the other
Salvator Rosa
c. 1656–1657
Etching with drypoint on laid paper, state II/II
70.43.1