Artist
Gilles Demarteau (Flemish, 1722–1776)Flemish, 1722–1776
Afterafter
François Boucher (French, 1703–1770)French, 1703–1770
PublisherPublished by
Gilles Demarteau (Flemish, 1722–1776)Flemish, 1722–1776
CultureFlemish
Titles
- Paysanne avec trois enfants (Woman with basket and three children)
Date1755–1776
MediumChalk manner engraving printed in red ink on laid paper
DimensionsPlate: 11 5/16 × 8 3/16 in. (28.7 × 20.8 cm)
Sheet: 12 3/16 × 9 1/16 in. (31 × 23 cm)
Sheet: 12 3/16 × 9 1/16 in. (31 × 23 cm)
Credit LineMuseum purchase funded by Michael W. Dale
Object number2022.251
Not on view
Explore Further
Department
Prints and DrawingsObject Type
[1] Jules Michelin (c. 1815-1870).
On sheet: [collector’s mark Jules Michelin]
Jules Michelin, born in Paris and died in Limoges, was a pupil of Roqueplan and Ramelet. He specialized in landscape. Friend of Corot, whom he encouraged in 1858 to resume etching. He had assembled a collection of prints and drawings from various periods, the modern part of which went on sale in 1898. As this sale only included a few old pieces, it is likely that this part of the collection was made on another occasion.
Exhibition HistoryNone known
Inscriptions, Signatures and Marks
-Recto: Printed on paper mount, below bottom left corner of image: Boucher inv. delin.
-Recto: Printed on paper mount, below bottom right corner of image: Demarteau lnd Sculp.
-Recto: Printed on paper mount, center bottom edge: Du Cabinet de Madame Dazaincourt/Paris ches Demarteau avec Priv de Roi
-Recto: Printed on paper mount, bottom right corner: No 81.
-Verso: Inscribed in graphite, center bottom edge: Tres belle epreu[ve?]/[?] d[e?] collect[ion?]
-Verso: Inscribed in graphite, bottom right corner and right bottom edge: various faint to illegible annotations
-Verso: Stamped in purple, right bottom edge: monogram design: JM
[collector’s mark Jules Michelin, see below]
-Recto: Printed on paper mount, below bottom right corner of image: Demarteau lnd Sculp.
-Recto: Printed on paper mount, center bottom edge: Du Cabinet de Madame Dazaincourt/Paris ches Demarteau avec Priv de Roi
-Recto: Printed on paper mount, bottom right corner: No 81.
-Verso: Inscribed in graphite, center bottom edge: Tres belle epreu[ve?]/[?] d[e?] collect[ion?]
-Verso: Inscribed in graphite, bottom right corner and right bottom edge: various faint to illegible annotations
-Verso: Stamped in purple, right bottom edge: monogram design: JM
[collector’s mark Jules Michelin, see below]
None known
Catalogue raisonnéLeymarie no. 81 pg. 35; Jean-Richard 1978 no. 649, p. 185; IFF no. 81, p. 365
Cataloguing data may change with further research.
If you have questions about this work of art or the MFAH Online Collection please contact us.
Gilles Demarteau
1755–1776
Chalk manner engraving printed in red ink on laid paper
2022.252
Gilles Demarteau
c. 1759–1762
Crayon manner etching printed in brownish red ink
BF.1999.14
Louis-Marin Bonnet
1769
Pastel-manner engraving printed from eight plates in blue-green, dark-blue, pink-terracotta, brown, carmine, umber, black, and white with additional color printed à la poupée on laid paper, state I/II
2022.246
John Bingley Garland
c. 1850–1860
Collage of cut-and pasted engraving, chalk-manner lithograph and etching, with watercolor, gouache, gold, pen and ink and glaze, on beige wove paper
2023.275
![Buste de jeune femme de trois quarts (Head of a Young Woman [Fernande Olivier] in Three Quarter View)](/internal/media/dispatcher/300903/thumbnail)
Pablo Picasso
1906, printed 1933
Woodcut on laid paper, edition 5/15
2007.459
Domenico Piola
c. 1642–1703
Pen and brown ink, brush and brown wash, over red chalk, squared for transfer with red chalk on laid paper
2015.260
Jacques Callot
c. 1616
Pen and brown ink and wash and red chalk over black chalk on laid paper
2017.226
Giulio Cesare Procaccini
c. 1600–1610
Red chalk on laid paper with 18th-century laid paper mount ruled with ink, wash and metal foil
2019.59
![Essai à la manière noire (Un Géographe) [Study in the Black Manner (A Geographer)]](/internal/media/dispatcher/306535/thumbnail)
Nicolas-Toussaint Charlet
1831
Lithograph (en la manière noire [in “the dark manner”]), printed chiné colle, mounted on wove paper, rare proof
2011.614
Guido Reni
c. 1609
Black and red chalk with white chalk on brown laid paper
2011.839
Michelangelo Buonarroti
Mid- to late 16th century
Black and red chalk, pen and brown ink with brown wash on laid paper
2020.480