Artist
Mildred ThompsonAmerican, 1935–2003
CultureAmerican
Titles
- Probe
- from the Architectural Studies series
Date1973
Printed inDüren, Germany
MediumDrypoint and etching on wove paper
DimensionsSheet: 7 13/16 × 13 in. (19.8 × 33 cm)
Frame: 14 × 17 7/16 × 1 1/2 in. (35.6 × 44.3 × 3.8 cm)
Frame: 14 × 17 7/16 × 1 1/2 in. (35.6 × 44.3 × 3.8 cm)
Credit LineMuseum purchase funded by the Alvin S. Romansky Prints and Drawings Accessions Endowment Fund
Object number2021.324
Not on view
Explore Further
Department
Prints and DrawingsObject Type
Inscriptions, Signatures and Marks
Recto: Inscribed in graphite, below plate, bottom left corner: probe
Recto: Signed and dated in graphite, below plate, center bottom edge: Mildred Thompson [cursive] 1973 Düren
Verso: [inaccessible]
Recto: Signed and dated in graphite, below plate, center bottom edge: Mildred Thompson [cursive] 1973 Düren
Verso: [inaccessible]
Recto: Signed and dated below plate, center: Mildred Thompson [cursive] 1973 Düren
Verso: [inaccessible]
Verso: [inaccessible]
Recto: [none]
Verso: [inaccessible]
Verso: [inaccessible]
Cataloguing data may change with further research.
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Alfred Thompson Bricher
c. 1899
2021.171.1,.3,.4,.5,.6: Watercolor on wove paper
2021.171.2: Watercolor with pen and ink on wove paper
2021.171.1-.6
James Turrell
c. 1988
Aquatint, photoetching, etching, soft ground etching, and drypoint in colors [left]; Aquatint, photoetching, soft ground etching and etching in colors on wove paper [right], working proof
96.470
Mimmo Paladino
1990
Etching, photo-etching and drypoint, printed chine collé, screenprint with woodcut and embossing on wove paper, edition 2/50
96.988
Emil Nolde
1922
Etching, drypoint, and soft ground etching on wove paper, state III/III
39.116
Martin Puryear
2016
Drypoint, etching, soft ground etching, sugar lift, open bite and aquatint in colors on wove paper, bon à tirer of an edition of 29
2017.106
Alfred Thompson Bricher
c. 1899
2021.172.1, .6: Pen and ink on laid paper
2021.172.2, .3, .4, .5: Pen and ink on wove paper
2021.172.1-.6
Jim Hodges
2015
Etching, aquatint, sugar lift, spit bite and drypoint in colors with scraping and burnishing on wove paper and brown Gampi paper; screenprint in white ink on white Gampi paper, and hand-cut Beva film, printer’s proof 1/4
2021.502
