Jim Hodges
Bringing in the Ghosts

Bringing in the Ghosts

© Jim Hodges, Courtesy the artist and Gladstone Gallery, New York and Brussels, Stephen Friedman Gallery, London, Anthony Meier Fine Arts, San Francisco

Bringing in the Ghosts
Bringing in the Ghosts
ArtistAmerican, born 1957
CultureAmerican
Titles
  • Bringing in the Ghosts
Date2019
MediumCut and pasted photolithograph in colors and screenprint on kozo paper; lithograph, inkjet print and screenprint in colors and metal foils on wove paper, edition 22/28
DimensionsImage: 24 3/16 × 35 7/16 in. (61.5 × 90 cm)
Sheet: 43 1/8 × 33 1/16 in. (109.5 × 84 cm)
Credit LineMuseum purchase funded by the Alvin S. Romansky Prints and Drawings Accessions Endowment Fund
Object number2020.163
Not on view

Explore Further

Object Type
ProvenanceThe artist with Highpoint Press; purchased by MFAH, 2020.
Exhibition History"To the Skylark," The Museum of Fine Arts Houston, Oct. 28, 2020 – July 27, 2021. [Inaugural Installation: Kinder Building 207: No Catalog]
Inscriptions, Signatures and Marks
Recto: Inscribed in graphite, below image, bottom left: 22/28
Recto: Inscribed in graphite, below image, bottom center: Bringing in the Ghosts [cursive]
Recto: Signed and dated in graphite, below image, bottom right: Jim Hodges 2019 [cursive]
Recto: Signed in graphite, below image, right bottom sheet edge: Jim Hodges [cursive]
Recto: below image matrix, bottom left corner: [Highpoint chopmark]

Cataloguing data may change with further research.

If you have questions about this work of art or the MFAH Online Collection please contact us.

Winter Speaks
Jim Hodges
2015
Etching, aquatint, sugar lift, spit bite and drypoint in colors with scraping and burnishing on wove paper and brown Gampi paper; screenprint in white ink on white Gampi paper, and hand-cut Beva film, printer’s proof 1/4
2021.502
provided by lender
Jim Hodges
2016
Intaglio (sugar lift, spit bite and drypoint with scraping and burnishing), screenprint in light blue ink, woodcut in dark blue ink and collage of inkjet prints, printed chine collé on Gampi paper, on wove paper, printer's proof 4/4, besides an edition of 28
2017.269
Pauillac, #4
Robert Motherwell
1973
Lithograph in blue on wove paper with collage of offset photolithograph in colors, torn-and-pasted color wove paper, and embossing, edition 8/54
2020.290
Near the Bay
Dorothy Hood
1982
Collage of charcoal, watercolor, and graphite on cut and pasted wove paper, torn and pasted kraft paper, metal foil, and cut and pasted wood engraving on wove paper, on four ply mat board
83.19
Sachi
Delita Pinchback Martin
2020
Reduction linoleum cut in colors on wove paper, cut-and-glued metallic paint on wove paper, cut-and-pasted block print on Japanese paper, cut-and-glued linoleum cut and embossing on wove paper; and cotton thread, edition 1/7
2021.291
The Window of Formality
Dorothy Hood
c. 1982–1997
Collage of cut and pasted halftone print, torn and pasted stencil print, plastic, metal foil, and Japanese paper, on acrylic with graphite on wove paper
2020.286
McDonald's Hamburgers Invading Japan / Tattooed Woman and Geisha III
Masami Teraoka
2018
Woodcut in colors on Kozo paper, edition 22/85
2021.539
Diptych
Marisol
1971
Two lithographs in colors on wove paper, edition 22/33
2017.365.A,.B
Fourth of July Still Life
Audrey Flack
copyright 1975
Laminated and die cut screenprint in colors on wove paper, edition 63/125
75.583.3
Graceland Mansion
Jennifer Bartlett
1979
Drypoint in colors; etching and aquatint in colors; screenprint in colors; woodcut in colors; and lithograph in colors on wove paper, artist's proof IV
2001.624.A-.E
Roy Lichtenstein
1976
Embossed screenprint in colors with collaged gloss copper and mat matallic foil on paper
79.138