Artist
Samuel Palmer(British, 1805–1881)British, 1805–1881
CultureBritish
Titles
- The Lonely Tower
Date1879
MediumEtching and drypoint with scraping on wove paper, trial proof, state V/VII
DimensionsPlate: 7 7/16 × 10 in. (18.9 × 25.4 cm)
Sheet: 10 1/4 × 13 3/4 in. (26 × 34.9 cm)
Sheet: 10 1/4 × 13 3/4 in. (26 × 34.9 cm)
Credit LineMuseum purchase funded by Art + Paper 2017 and the Scurlock Foundation in honor of Lauren Rosenblum
Object number2017.253
Not on view
Explore Further
Department
Prints and DrawingsObject Type
Exhibition HistoryVictoria & Albert Museum Exhibition, 1879.
Inscriptions, Signatures and Marks
Recto: Inscribed in graphite, below plate, left: 173 Lonely Tower
Recto: Signed in graphite, below plate, right: S. Palmer
Recto: Inscribed in graphite, bottom right corner: 5/51
Verso: Inscribed in graphite: AP club 7, 19 May 1879
Recto: Signed in graphite, below plate, right: S. Palmer
Recto: Inscribed in graphite, bottom right corner: 5/51
Verso: Inscribed in graphite: AP club 7, 19 May 1879
Recto: Signed in graphite, below plate, right: S. Palmer
Verso: [none]
Verso: [none]
Recto: Blind stamp, bottom left corner: A.H.P. PRIVATE PRESS [circled]
Verso: [none]
Verso: [none]
Catalogue raisonnéAlexander 12 state v/vi; Raymond Lister E.12 state v/vii
Cataloguing data may change with further research.
If you have questions about this work of art or the MFAH Online Collection please contact us.
Käthe Kollwitz
1922–1923
Woodcut on Japanese paper, trial proof of second version of state III/VII
2003.983
Edouard Manet
c. 1867–1868, possibly printed 1868
Lithograph with scraping, printed chine collé on heavy wove paper, state I/III, trial proof, before lettering
91.1567
Paulus Pontius, called Paul du Pont
1630 - 1645
Engraving on laid paper, state V/VII
84.424
Jacques Villon
1906
Drypoint with orange, blue and black chalk on wove paper, state I/II, trial proof
2019.648
Louise Bourgeois
1990, published 1991
Drypoint on wove paper, artist's proof V/X (before state IV/IV)
96.5
Jasper Johns
1991
Etching and aquatint in colors with scraping and burnishing on Japanese paper, variant trial proof
94.726
June Wayne
1976
Lithograph in colors on wove paper, short edition V/VII, aside from edition of 20
2021.501
Jim Hodges
2015
Etching, aquatint, sugar lift, spit bite and drypoint in colors with scraping and burnishing on wove paper and brown Gampi paper; screenprint in white ink on white Gampi paper, and hand-cut Beva film, printer’s proof 1/4
2021.502
Chris Ofili
2008
Color spit bite and sugar lift aquatint with drypoint on wove paper, trial proof B, before an edition of 20
2015.94
James Abbott McNeill Whistler
1858
Etching with drypoint on laid paper, state V/V
2021.618
Kerry James Marshall
2010
Aquatint, spit bite aquatint, and sugar-lift aquatint in colors with softground and hardground etching, scraping and burnishing, drypoint, collage and handcoloring on wove paper, artist’s proof 10/10
2017.284
Brice Marden
1986
Sugar lift aquatint, etching, and scraping on wove paper, artist's proof II/X, state II/II
96.29.21