Jan Boeckhorst
Une Vue du Marché aux legumes de la ville d’Anvers (A View to the Vegetable Market in the town of Antwerp)
Artist
Jan Boeckhorst(Flemish, 1605–1668)Flemish, 1605–1668
ArtistPreviously attributed to
Sir Peter Paul Rubens(Flemish, 1577–1640)Flemish, 1577–1640
CultureFlemish
Titles
- Une Vue du Marché aux legumes de la ville d’Anvers (A View to the Vegetable Market in the town of Antwerp)
Datepossibly c. 1626–1635
MediumPen and brown ink, brown wash heightened with white on laid paper
DimensionsSheet: 6 1/8 × 7 1/2 in. (15.6 × 19.1 cm)
Mat: 12 5/8 × 13 1/2 in. (32.1 × 34.3 cm)
Mat: 12 5/8 × 13 1/2 in. (32.1 × 34.3 cm)
Credit LineGift of Will L. McLendon in memory of Arthur Tafolla
Object number2020.500
Not on view
Explore Further
Department
Prints and DrawingsObject Type
1 Pierre-Jean Mariette (1694-1774) was the third generation in a family of print dealers. He became an important authority on the history of painting, drawings, and in particular, engravings. He also had a reputation as an antiquarian, writing a treatise on antique gems. Besides the important drawings collector Pierre Crozat, Mariette’s collection of drawings and engravings was probably the greatest of this period. During his lifetime, Mariette refused any offers made for works in his collection and wished for it to pass to the French Royal Collection upon his death. Despite his wish, Mariette’s heirs finally chose to auction the collection, anticipating a high total price. Four sales were held, the largest and the most important taking place between November 15, 1775 and January 30, 1776. Princeton University Library owns two copies of the Catalogue raisonné, prepared by the dealer Pierre François Basan, in 1775. Both copies have prices. See Frits Lugt, Les marques de collections de dessins et d’estampes (Amsterdam, 1921), pp. 331-338 (Lugt 1852), Frits Lugt, Repertoire des catalogues de ventes publiques interessant l’art ou la curiosité, I, 1600-1825 (The Hague, 1938), Cat. 2453 and Graham Smith, “Á Copy of the Mariette Sale Catalogue of 1775 with Annotations by Sir. Thomas Lawrence,” The Princeton University Library Chronicle, vol. 30, no. 2 (Winter 1969), pp. 110-119. His collector’s stamp is the following:
Fig 10 Mariette’s collector’s mark, Lugt 1852
See Pierre-François Basan, Catalogue Raisonné des différens objets de curiosités dans les sciences et arts, qui composaient le
Cabinet de feu Mr Mariette (Paris: chez l’Auteur et chez Guillaume-Nicolas Desprez, 1775), “Hollandoise & Allemande” 155, p. 207, lot 1006.
2 His important art collection was sold by the Paris art dealers P. Remy in 1777 and Boileau in 1779. See JoLynn Edwards, “The Conti Sales of 1777 and 1779 and their Impact on the Parisian Art Market,” Studies in Eighteenth Century Culture (John Hopkins University Press), vol. 39, 2010, pp. 77-110. When the drawing was sold in 1777, it appeared as lot 1160 and the catalogue entry referred to its earlier appearance in the Mariette sale (see Lugt Répertoire des catalogues de ventes, I, Cat. 2671.
3A note in the copy of the De Conti catalogue in the Biblioteca Apostolica Vaticana gives a M. Langlier as the buyer. See Lugt Les marques de collections, Cat. 1670. He was a dealer whose name appears as a seller, along with those of other dealers, in sales made in Paris in 1779, March 10, 1788 (after the death of Mme Lenglier, April 6 (15) 1789, even again on November 29, 1810.
4 On Sir Thomas Lawrence as a collector, see Kenneth Garlick, Sir Thomas Lawrence (London, 1954), Mahonri Sharp Young, “Sir Thomas Lawrence, R.A.: millionaire collector,” Art News, LIV (1955-1956), 24-27, 56-57; The Columbus Gallery of Fine Arts, Sir Thomas Lawrence as painter and collector (1955).
Fig. 11 Thomas Lawrence, collector’s mark, Lugt 2445
5 Earl of Warwick (1818-1893), Warwickcastle, Warwick
Fig. 12, The Earl of Warwick, collector’s mark, Lugt 2600
The old master drawings in the Earl of Warwick collection had several appearing in the Grosvenor Gallery exhibition in London, 1877-1878; some are reproduced in the exhibition catalogue.
6Jean-Paul Richter (1847-1937) was a German art historian, born in Dresden. He moved to London in 1877 and wrote several art catalogues and chiefly remembered for his work on the notebooks of Leonardo da Vinci. Richter supported himself as an art dealer.
Inscriptions, Signatures and Marks
Recto: Collector's mark, stamped in black ink, bottom left: M [encircled] [Lugt 1852: Jean-Pierre Mariette (1694-1774)]
Recto: Collector's mark, embossed, bottom left: T.L [Lugt 2445: Sir Thomas Lawrence (1769-1830)]
Recto: Collector's mark, stamped in black ink, bottom left: W with crown above [Lugt 2600: Earl of Warwick (1818-1893)]
Recto: Collector's mark, embossed, bottom left: T.L [Lugt 2445: Sir Thomas Lawrence (1769-1830)]
Recto: Collector's mark, stamped in black ink, bottom left: W with crown above [Lugt 2600: Earl of Warwick (1818-1893)]
Cataloguing data may change with further research.
If you have questions about this work of art or the MFAH Online Collection please contact us.
Giovanni Battista Foggini
c. 1710–24
Pen and brown ink, brush and brown wash over black chalk, and heightened with white on laid paper
2020.479
Benedetto Luti
c. 1715–1719
Pen and ink and brown wash over traces of chalk, heightened with white on laid paper
2011.210
Jean-Honoré Fragonard
possibly 18th century or probably 19th century
Brush and brown wash, probably bistre, pen and brown ink over red ink underdrawing heightened and corrected with white lead on paper
83.224
Benjamin West
c. 1779
Black chalk, pen and brown ink and watercolor, heightened with touches of white, grey and blue bodycolor and brown wash, on oatmeal paper
2007.1461.A,.B
Camille Pissarro
1891
Etching on laid paper, state I
92.39
Hubert Robert
c. 1762
Pen and brown ink and brown wash with white pigment on laid paper, laid down on laid paper with blue (partially faded to green) laid paper border and ruled in black ink
2023.190
Workshop of Alessandro Botticelli
c. 1500
Pen and iron gall ink, and iron-based brown and red washes, heightened with lead white on laid paper
BF.1976.1.A,.B
Abraham Bloemaert
c. 1630
Pen and brown ink heightened with watercolor on laid paper
74.254
Guercino (Giovanni Francesco Barbieri)
17th century
Pen and brown ink with brush and brown wash on laid paper
2023.182
Domenico Piola
c. 1642–1703
Pen and brown ink, brush and brown wash, over red chalk, squared for transfer with red chalk on laid paper
2015.260
Richard Cosway
c. 1815
Pen and brown ink, gray and brown wash, and graphite on two sheets of laid paper
2018.166
Michelangelo Buonarroti
Mid- to late 16th century
Black and red chalk, pen and brown ink with brown wash on laid paper
2020.480