Carington Bowles
A New Method of Macarony Making, as practiced at Boston in North America

A New Method of Macarony Making, as practiced at Boston in North America

Public Domain

A New Method of Macarony Making, as practiced at Boston in North America
CultureEnglish
Titles
  • A New Method of Macarony Making, as practiced at Boston in North America
Date1775
Printed inLondon, England
MediumEtching and engraving on laid paper
DimensionsPlate: 13 1/8 × 19 1/2 in. (33.3 × 49.5 cm)
Sheet: 14 3/4 × 20 3/8 in. (37.5 × 51.8 cm)
Frame (outer): 21 × 27 in. (53.3 × 68.6 cm)
Credit LineThe Bayou Bend Collection, Museum purchase funded by Greg Curran, Ralph Eads, Jeffery D. Hildebrand, and Anthony G. Petrello, in honor of their wives, Hilda Curran, Lisa Eads, Mindy Hildebrand, and Cynthia Petrello, at "One Great Night in November, 2012"
Object numberB.2013.2
Not on view

Explore Further

Department
Bayou Bend
Object Type
DescriptionThis engraving is one of the rarest contemporary depictions of the events that led up to the American Revolution. It was published shortly after the Boston Tea Party, when in December 1773 a band of colonists, disguised as American Indians, boarded three British merchant vessels, confiscated their cargo and tossed overboard 342 chests filled with taxed tea. Carrington Bowles’s satire deviates from the historical record. At times, its humor, like the actions it lampoons, is coarse, as shown by the graphic image of an individual relieving himself into a teapot. The composition centers on John Malcolm, the British Collector of Customs, as its title parodies his makeover into a Macarony, a period term for a dandy. Malcolm was tarred and feathered (what the British dubbed an “American suit”) and is about to be led off to the gallows. Fortunately, he was spared and subsequently returned to England.
Provenance Research Ongoing Inscriptions, Signatures and Marks
Recto: Inscribed in printed ink, below plate, left: For the Custom House Officers landing the Tea, / They Tarr'd him, and Feather'd him, just as you see,
Recto: Inscribed in printed ink, below plate, center: A New Method of MACARONY MAKING, / as practiſed at BOSTON in NORTH AMERICA.
Recto: Inscribed in printed ink, below plate, center bottom edge: Printed for CARINGTON BOWLES, at his Map and Print Warehouſe, No. 69 in St. Pauls Church Yard, London. Published as the Act directs, June 2d. 1775.
Recto: Inscribed in printed ink, below plate, right: 52 / And they drench'd him so well both behind and before / That he begg'd for God's sake they would drench him no more.
Verso: Inscribed in graphite, center: 3 P

Cataloguing data may change with further research.

If you have questions about this work of art or the MFAH Online Collection please contact us.

A New Method of Macarony Making, as Practised at Boston
1774
Mezzotint with watercolor on laid paper
B.85.3
A South East View of the Great Town of Boston in New England in America
John Carwitham
c. 1765
Etching, engraving, and watercolor on laid paper
B.63.77
The South Prospect of the City of New York, in North America.
William Burgis
1761
Engraving on laid paper
B.91.23
View of the City of New York in the State of New York, North America
Samuel Seymour
1803
Etching and engraving on wove paper, state II/III
B.2015.2
The City of Philadelphia in the State of Pennsylvania, North America
Samuel Seymour
1801
Etching and engraving with watercolor and gouache on wove paper, state II
B.63.157
Vue d’Optique/Die Zerstörung der Königlichen Bild Säule zu Neu Yorc (Optical View/Destruction of the Royal Statue in New York)
François Xavier Habermann
c. 1776
Etching and engraving with watercolor on laid paper
B.95.13
Der Einzug der Königlichen Volcker in neu Yorck. [Triumphal Entry of the British Troops into New York.]
François Xavier Habermann
c. 1776
Etching and engraving with watercolor on laid paper
B.2017.13
QUEBEC, The Capital of NEW-FRANCE, a Bishoprick, and Seat of the Soverain Court
Thomas Johnston
1759
Etching and engraving with watercolor on laid paper, I/II
B.2002.5
QUEBEC, The Capital of NEW-FRANCE, a Bishoprick, and Seat of the Soverain Court
Thomas Johnston
1759
Engraving and etching on laid paper, state II/II
B.2002.6