François Xavier Habermann
Vuë de Boston. Prospect des grossen plazes gegen der alten Sud Kirche der Presbiterianer zu Boston (Optical View. View of the Large Squares toward the Old South Presbyterian Church in Boston)

Vuë de Boston. Prospect des grossen plazes gegen der alten Sud Kirche der Presbiterianer zu Boston (Optical View. View of the Large Squares toward the Old South Presbyterian Church in Boston)

Public Domain

Vuë de Boston. Prospect des grossen plazes gegen der alten Sud Kirche der Presbiterianer zu Boston (Optical View. View of the Large Squares toward the Old South Presbyterian Church in Boston)
ArtistGerman, 1721–1796
CultureGerman
Titles
  • Vuë de Boston. Prospect des grossen plazes gegen der alten Sud Kirche der Presbiterianer zu Boston (Optical View. View of the Large Squares toward the Old South Presbyterian Church in Boston)
  • from Collection des Prospects series
Datec. 1776
Made inAugsburg, Germany
MediumEtching and engraving on laid paper
DimensionsPlate: 12 1/2 × 16 3/4 in. (31.8 × 42.5 cm)
Sheet: 12 1/2 × 16 7/8 in. (31.8 × 42.8 cm)
Credit LineThe Bayou Bend Collection, Museum purchase funded by Don Short in honor of Lee Godfrey at "One Great Night in November, 2013"
Object numberB.2013.39
Not on view

Explore Further

Department
Bayou Bend
Object Type
Description



This print is by François Habermann, a German printer and publisher working in Augsburg, Germany, known for a series of engravings portraying American cities, including New York and Boston, during the Revolutionary period. While some of these optical views are based on first-hand drawings, often they are entirely fictitious and originally published for a European audience with no specific knowledge of American cities. Here, the artist presents an imaginary view of Old South Congregational Church, the third church built in Boston, and a cannon is being hauled into the foreground. Unlike the church pictured, Old South had a tall steeple. Notably, the church was often the scene of many patriotic meetings in the years immediately preceding the War of Independence.



This special type of popular print was used as a form of entertainment meant to be seen through devices called “optical machines” or “zogoscopes.” The striking use of perspective lines in these optical views make them visually playful as well as historically intriguing. The main title is printed at top as a mirror image; when viewed through the optical machine it would appear correctly. Optical views were often exhibited by traveling showmen and were known to entice Philadelphians by 1797.





Provenance[Susan Schulman, New York, as of 2012]; purchased by MFAH, 2013.
Inscriptions, Signatures and Marks
Recto: Inscribed in printed ink, above plate, left: Collection des Prospects.
Recto: Inscribed in printed ink, above plate, center: VUË DE BOSTON. [in reverse]
Recto: Inscribed in printed ink, below plate, right: Gravé par Francois Xav. Habermann
Recto: Inscribed in printed ink, below plate, left: Prospect des groſsen Plazes gegen der alten / Sud Kirche der Presbiterianer zu Boston.
Recto: Inscribed in printed ink, below plate, right: Vuë de la Ruë grande vers l'Eglise du / Sud des Presbiteriennes a Boston.
Recto: Inscribed in printed ink, below plate, center bottom edge: Se vend a Augsbourg au Negoce comun de l’Academie d'Empire des Arts Libereaux aveo Privilege de Sa majesté Imperiale et aveo Defense ni d'en faire ni de vendre les Copies.

Cataloguing data may change with further research.

If you have questions about this work of art or the MFAH Online Collection please contact us.

Vue d’Optique/Die Zerstörung der Königlichen Bild Säule zu Neu Yorc (Optical View/Destruction of the Royal Statue in New York)
François Xavier Habermann
c. 1776
Etching and engraving with watercolor on laid paper
B.95.13
Der Einzug der Königlichen Volcker in neu Yorck. [Triumphal Entry of the British Troops into New York.]
François Xavier Habermann
c. 1776
Etching and engraving with watercolor on laid paper
B.2017.13
Overall recto.
François Xavier Habermann
18th century
Engraving on paper
2024.54
Le Repos des Enfants de la Victoire
Louis François Charon
early 19th century
Engraving
B.79.148
Overall recto
François Boucher
1735
Etching on laid paper, state IV/IV
2022.264
Louise de Lorraine
François Clouet
16th century
Oil on canvas
96.1342
Environs de Cusset (Vicinity of Cusset)
Jean-François Millet
c. 1866–1869
Pen and brown ink with graphite on laid paper
39.82
Overall recto.
François-Séraphin Delpech
1822
Lithograph on paper
2024.55
Porteur de rails
François Kollar
1932
Gelatin silver print
2014.640
Die Toten, Der grossen Idee gestorben, werden Millionen Vorbild sein!
John Heartfield
August 2, 1934
Rotogravure
82.59.318