Guido Reni
Head of a Young Woman Looking Upward

ArtistItalian (Bolognese), 1575–1642
CultureItalian
Titles
  • Head of a Young Woman Looking Upward
Datec. 1609
MediumBlack and red chalk with white chalk on brown laid paper
Dimensions14 7/8 x 10 5/8 in. (37.8 x 27 cm)
Credit LineMuseum purchase funded by the Brown Foundation Accessions Endowment Fund
Object number2011.839
Not on view

Explore Further

Description

Guido Reni was one of the most influential 17th-century Italian painters. His renderings of mythological and religious subjects are celebrated for their compositional and figural grace. Reni prepared intensely before painting his narrative works, creating numerous studies from models, including chalk drawings, such as this head of a young woman.


According to one biographer, Reni boasted about being able to “paint heads with their eyes uplifted a hundred different ways” to portray ecstasy or divine inspiration. Here, the artist’s loose, spontaneous manner animates the three-dimensionality of the woman’s head. Though her identity is not confirmed, she has a resemblance to painted portrayals by Reni of the penitent Saint Mary Magdalene with eyes lifted, tearful, and pleading.


Provenance[William H. Schab Gallery, New York, in 1981]; Private collection; [Sotheby’s, New York, January 13, 1988, lot 129]; [P. & D. Colnaghi, London, in 1993]; Private collection, Spain, until 2010; [Stephen Ongpin Fine Art, London, by 2010-2011]; purchased by MFAH, 2011.



Exhibition History"Visions of Saints," The Museum of Fine Arts, Houston, 23 December 2011 - 18 March 2012.
"Old and Modern Master Prints & Drawings," No.62, undated (1981?), no.11; New York, Paris and London, Colnaghi, Master Drawings, 1993, no.20, New York, William H. Schab Gallery,
Inscriptions, Signatures and Marks
Numbered lower left in brown ink:11° 35
There is a separate card mounted and hinged behind the drawing, inscribed in brown ink: Raciolla di P.M.G. San Giorniano [sp?]
Signed lower center in brown ink: Reni Guido
Signed lower right in brown ink (partially faded): N° 35 Reni Guido and ne 23. Guido Reni

Cataloguing data may change with further research.

If you have questions about this work of art or the MFAH Online Collection please contact us.

Compositional Study for Le Combat des Section d’Infanterie
Jacques Callot
c. 1616
Pen and brown ink and wash and red chalk over black chalk on laid paper
2017.226
Deposition
Denys Calvaert
c. 1595
Black chalk, pen and brown ink, watercolor, and white heightening, squared for transfer with black chalk on laid paper
2013.173
The Triumph of Bacchus
Domenico Piola
c. 1642–1703
Pen and brown ink, brush and brown wash, over red chalk, squared for transfer with red chalk on laid paper
2015.260
Studies of Male Nudes and a Pair of Putti from the Sistine Chapel Ceiling, after Michelangelo
Michelangelo Buonarroti
Mid- to late 16th century
Black and red chalk, pen and brown ink with brown wash on laid paper
2020.480
Study for Portrait of a Lady in a Landscape
Arthur Devis
c. 1750s
Black and red chalk heightened with white chalk on blue laid paper
2015.438
The Fall of Phaeton
Giovanni Battista Foggini
c. 1710–24
Pen and brown ink, brush and brown wash over black chalk, and heightened with white on laid paper
2020.479
Portrait of a Lady
John Hoppner
possibly 1780s
Black and red chalk heightened with white on buff laid paper
85.110
Villa Borghesi (The Villa Borghese, Rome)
Richard Wilson
1754
Black chalk with white chalk on gray blue laid paper; laid down on the artist's original mount of laid paper with lilac wash laid paper border
2019.288
Monte Della Giustizia, Villa Montalto - Negroni, Rome
Richard Wilson
c. 1752
Black chalk, heightened with white chalk, white gouache, and gray wash on blue-gray laid paper
2021.290
Costume Studies
16th century
Brown ink over red chalk on laid paper
2022.741
Tendresse maternelle (Jeune Femme Assise sur un tonneau avec un petit garçon et un chien) (Maternal Tenderness)
François Boucher
c. 1765
Black chalk with stumping heightened with white chalk on blue laid paper
2016.139
Jupiter and Antiope
Johann Zoffany
late 18th century
Black chalk with white chalk on gray blue laid paper
2019.677