Vija Celmins
Untitled (Web 3)

Untitled (Web 3)

© Vija Celmins, Courtesy Matthew Marks Gallery

Untitled (Web 3)
Untitled (Web 3)
ArtistAmerican, born Latvia, 1938
Print studioLos Angeles
PublisherLos Angeles
CultureAmerican
Titles
  • Untitled (Web 3)
Date2002, published 2003
Published inLos Angeles, California, United States
MediumAquatint with burnishing, scraping, and drypoint, edition 24/65
DimensionsPlate: 15 × 19 in. (38.1 × 48.3 cm)
Sheet: 20 1/8 × 24 1/8 in. (51.1 × 61.3 cm)
Credit LineMuseum purchase funded by the Alice Pratt Brown Museum Fund
Object number2008.12
Non exposé

Explore Further

Object Type
Provenance Research Ongoing Inscriptions, Signatures and Marks
Marked in pencil, lower left below the image: "24/65"
Signed in pencil, lower right below the image: "V. Celmins '02"
Gemini blindstamp, recto lower right

Stamped on verso lower left: "Published by Gemini G.E.L. LLC / Los Angeles, California / (in pencil) VC02-3332"

Cataloguing data may change with further research.

If you have questions about this work of art or the MFAH Online Collection please contact us.

Untitled #3
Vija Celmins
2016
Mezzotint on wove paper, edition 21/35
2018.43.3
Untitled #1-5
Vija Celmins
2016
Series of five mezzotints, two with colored pencil (no. 2 and no. 5), on wove paper, edition 21/35 (nos. 1-4) and edition 21/35 (no. 5)
2018.43.1-.5
Untitled #1
Vija Celmins
2016
Mezzotint on wove paper, edition 21/35
2018.43.1
Untitled #4
Vija Celmins
2016
Mezzotint on wove paper, edition 21/35
2018.43.4
Untitled #5
Vija Celmins
2016
Mezzotint with colored pencil on wove paper, edition 21/30
2018.43.5
Untitled #2
Vija Celmins
2016
Mezzotint with colored pencil on wove paper, edition 21/35
2018.43.2
Vignette (Wishing Well)
Kerry James Marshall
2010
Aquatint, spit bite aquatint, and sugar-lift aquatint in colors with softground and hardground etching, scraping and burnishing, drypoint, collage and handcoloring on wove paper, artist’s proof 10/10
2017.284
Winter Speaks
Jim Hodges
2015
Etching, aquatint, sugar lift, spit bite and drypoint in colors with scraping and burnishing on wove paper and brown Gampi paper; screenprint in white ink on white Gampi paper, and hand-cut Beva film, printer’s proof 1/4
2021.502
Tête de face. Portrait de Marie-Thérèse de face (Portrait of Marie-Thérèse, Full-face)
Pablo Picasso
1934
Etching, aquatint and drypoint with scraping and burnishing
2004.832
Daddy's Room
Richard Gordon Stout
1994
Aquatint, scraping, burnishing, and etching, edition 2/20
99.275
provided by lender
Jim Hodges
2016
Intaglio (sugar lift, spit bite and drypoint with scraping and burnishing), screenprint in light blue ink, woodcut in dark blue ink and collage of inkjet prints, printed chine collé on Gampi paper, on wove paper, printer's proof 4/4, besides an edition of 28
2017.269
Untitled
Robin Utterback
1991–1992
Etching, drypoint, burnishing, and scraping, edition of 10
92.425.1