Tête de face. Portrait de Marie-Thérèse de face (Portrait of Marie-Thérèse, Full-face)
Artist
Pablo Picasso(Spanish, 1881–1973)Spanish, 1881–1973
PrinterPrinted by
Roger Lacouriere(Paris)Paris
CultureSpanish
Titles
- Tête de face. Portrait de Marie-Thérèse de face (Portrait of Marie-Thérèse, Full-face)
Date1934, printed 1942
MediumEtching, aquatint and drypoint with scraping and burnishing
DimensionsPlate: 12 1/2 × 8 15/16 in. (31.8 × 22.7 cm)
Sheet: 17 9/16 × 13 7/16 in. (44.6 × 34.1 cm)
Sheet: 17 9/16 × 13 7/16 in. (44.6 × 34.1 cm)
Credit LineMuseum purchase funded by the Museum Collectors
Object number2004.832
Non exposé
Explore Further
Department
Prints and DrawingsObject Type
Exhibition HistoryExhibited: "Patrons Choice: The Silver Anniversary of The Museum Collectors, The Museum of Fine Arts, Houston," The Museum of Fine Arts, Houston, September 18, 2004 - January 30, 2005. Millennium Gallery and Public Corridor.
Acquisitions of the Last Five Years: Selections of Modern and Contemporary Art, Museum of Fine Arts, Houston, Upper Brown Pavilion, July 15, 2005 - October 15, 2005.
Inscriptions, Signatures and Marks
verso lower edge in pencil: 75B276 */ 131 B276 G417IIb / 18970
printed on the image bottom right in reverse: XXXIV [illegible]
verso lower right a circular stamp in blue: Succ. Pablo PICASSO Coll. Marina PICASSO
verso lower right a circular stamp in blue: Succ. Pablo PICASSO Coll. Marina PICASSO
Catalogue raisonnéBloch 276; Geiser 417.2B; Baer 417.II.B
Cataloguing data may change with further research.
If you have questions about this work of art or the MFAH Online Collection please contact us.
Kerry James Marshall
2010
Aquatint, spit bite aquatint, and sugar-lift aquatint in colors with softground and hardground etching, scraping and burnishing, drypoint, collage and handcoloring on wove paper, artist’s proof 10/10
2017.284
John Wilson, Jr.
2002
Etching, aquatint, lift ground, spit bite, drypoint, scraping and burnishing, printed chine collé, on wove paper, edition 23/50
2025.714
Jim Hodges
2015
Etching, aquatint, sugar lift, spit bite and drypoint in colors with scraping and burnishing on wove paper and brown Gampi paper; screenprint in white ink on white Gampi paper, and hand-cut Beva film, printer’s proof 1/4
2021.502
Charles-Nicolas Cochin the Younger
1746-1748
Etching and engraving on laid paper, state III/III
2022.273
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Pablo Picasso
1905, probably printed 1913
Drypoint on wove paper, proof before steel facing
2000.54
Vija Celmins
2002, published 2003
Aquatint with burnishing, scraping, and drypoint on wove paper, edition 24/65
2008.12
