sliderarrowCloseMenushare_facebookshare_instagramshare_xshare_linkedinshare_threadsshare_shareshare_tranditionalshare_calendarshare_emailicon_threadsconnect_facebookconnect_instagramconnect_xconnect_youtubeconnect_atbtn_arrowhamburger-x
Skip to main content
Menu Collections

Postcard of the Spoon on Île St. Louis, with Needles

Postcard of the Spoon on Île St. Louis, with Needles

© Claes Oldenburg

Postcard of the Spoon on Île St. Louis, with Needles
Postcard of the Spoon on Île St. Louis, with Needles
ArtistAmerican, Swedish, 1929–2022
Print studioNew York
CultureAmerican
Titles
  • Postcard of the Spoon on Île St. Louis, with Needles
Date1979
Published inNew York City, New York, United States
Printed inNew York City, New York, United States
MediumSugar lift and spitbite aquatint, soft and hard ground etching in colors, printed chine collé on beige paper, on wove paper, edition 40/50
DimensionsPlate: 12 5/8 × 10 1/2 in. (32.1 × 26.7 cm)
Sheet: 26 1/2 × 21 5/8 in. (67.3 × 54.9 cm)
Credit LineGift of the El Paso Corporation
Object number2005.1193
Non exposé

Explore Further

Object Type
Provenance Research Ongoing Exhibition History"The Age of Kusama: Pop Art and Minimalism," The Museum of Fine Arts, Houston, June 26—October 2, 2016.
Inscriptions, Signatures and Marks
Recto: Editioned in graphite, lower left: 40/50
Recto: Signed and dated in graphite, lower right: Claes Oldenburg '79
Recto: Signed and dated in graphite, lower right: Claes Oldenburg '79
Recto: Blindstamp, lower right: [overlapping M's] / MULTIPLES
Catalogue raisonnéAxsom Platzker 168

Cataloguing data may change with further research.

If you have questions about this work of art or the MFAH Online Collection please contact us.

Image provided by curatorial.
Squeak Carnwath
2011
Hard ground etching with sugar-lift aquatint, aquatint, and chine collé on paper, from the edition of 35
2026.40
Home
Kiki Smith
2006
Spit bite in colors, aquatint with flat bite, hard ground and soft ground etching, and drypoint, printed chine collé on Gampi paper, on wove paper, edition 8/20
2017.136
Image received from curatorial
Walton Ford
2016
Aquatint in colors, etching with hard ground, soft ground, spit bite, sugar lift, and drypoint, printed in six colors on wove paper, edition 64/65
2018.396
Untitled II
Martin Puryear
2002
Color spitbite aquatint with hard ground, drypoint, and chine collé on paper, edition 9/25
2025.755
Head Study
John Wilson, Jr.
2002
Etching, aquatint, lift ground, spit bite, drypoint, scraping and burnishing, printed chine collé, on wove paper, edition 23/50
2025.714
Martin Luther King, Jr.
John Wilson, Jr.
2002
Hard ground and soft ground etching, aquatint, spit bite and foul biting, printed chine collé, on wove paper, working proof
2015.256
William Kentridge
2022, printed 2023
Collage of photogravure, sugar lift aquatint, direct gravure and drypoint on wove paper, watercolor on found ledger and encyclopedia papers printed chine collé, red colored pencils and aluminum pushpins, edition 16/20
2024.544
Cotton
Kara Walker
1997
Etching and aquatint with spitbite, printed chine collé, on wove paper, edition 17/35
2015.286
Voyage to the South Seas: Flora Iris
Michelle Stuart
1989
Etching and aquatint in colors, printed chine collé, on paper, edition 25/40
91.1334
Voyage to the South Seas: Flora Australis
Michelle Stuart
1989
Etching and aquatint in colors, printed chine collé, on paper, edition 24/40
91.1333
provided by lender
Jim Hodges
2016
Intaglio (sugar lift, spit bite and drypoint with scraping and burnishing), screenprint in light blue ink, woodcut in dark blue ink and collage of inkjet prints, printed chine collé on Gampi paper, on wove paper, printer's proof 4/4, besides an edition of 28
2017.269
Notes
Richmond Burton
1994
Etching with soft ground, drypoint, sugar lift and spitbite, edition 18/20
96.850
Claes Oldenburg