Robin Utterback
Untitled

Untitled
Untitled
Untitled
ArtistAmerican, 1949–2007
CultureAmerican
Titles
  • Untitled
  • from the series Untitled No. 531
Date1991–1992
PlaceHouston, Texas, United States
MediumEtching, drypoint, burnishing, and scraping, edition of 10
DimensionsPlate: 13 5/8 × 6 3/4 in. (34.6 × 17.1 cm)
Sheet: 29 13/16 x 22 5/16 in. (75.7 x 56.7 cm)
Credit LineMuseum purchase funded by Nina and Michael Zilkha, Clinton T. Willour, Marc Gordon, Karol Kreymer and Robert Card, M.D., Linda Broocks and Michael Wilson, Dr. and Mrs. Guy Comeaux, Barbara and John C. Fitch, James F. Banker, and an anonymous donor
Object number92.425.1
Non exposé

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Object Type
Provenance Research Ongoing Exhibition HistoryExhibited "Singular and Plural: Recent Accessions, Post-War Drawings and Prints," MFAH, June 6 - August 8, 1992.

Cataloguing data may change with further research.

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Untitled
Robin Utterback
1991–1992
Etching, drypoint, burnishing, and scraping, edition of 10
92.425.2
Untitled
Robin Utterback
1991–1992
Etching, drypoint, burnishing, and scraping, edition of 10
92.425.4
Untitled
Robin Utterback
1991–1992
Etching, drypoint, burnishing, and scraping, edition of 10
92.425.3
Untitled
Robin Utterback
1991–1992
Etching, drypoint, burnishing, and scraping, edition of 10
92.425.6
Untitled
Robin Utterback
1991–1992
Etching, drypoint, burnishing, and scraping, edition of 10
92.425.5
Untitled
Robin Utterback
1991–1992
Etching, drypoint, burnishing, and scraping, edition of 10
92.425.7
Untitled
Robin Utterback
1991–1992
Etching, drypoint, burnishing, and scraping, edition of 10
92.425.8
Untitled
Robin Utterback
1991–1992
Etching, drypoint, burnishing, and scraping, edition of 10
92.425.9
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Kerry James Marshall
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Aquatint, spit bite aquatint, and sugar-lift aquatint in colors with softground and hardground etching, scraping and burnishing, drypoint, collage and handcoloring on wove paper, artist’s proof 10/10
2017.284
Untitled
Robin Utterback
1996
Etching and drypoint, edition 1/4
2007.1610
Winter Speaks
Jim Hodges
2015
Etching, aquatint, sugar lift, spit bite and drypoint in colors with scraping and burnishing on wove paper and brown Gampi paper; screenprint in white ink on white Gampi paper, and hand-cut Beva film, printer’s proof 1/4
2021.502
Tête de face. Portrait de Marie-Thérèse de face (Portrait of Marie-Thérèse, Full-face)
Pablo Picasso
1934
Etching, aquatint and drypoint with scraping and burnishing
2004.832