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73
ArtistJapanese, 1759–1838

Mount Fuji

late 18th or early 19th century
Hanging scroll, ink on paper
Overall: 12 × 21 3/8 in. (30.5 × 54.3 cm) Mount: 44 1/2 × 23 1/8 in. (113 × 58.7 cm) Roller: 25 3/16 × 7/8 in. (64 × 2.2 cm)
EX.2023.NW.010

“Since it is not two or three, it is the best there is!”1

 

Mount Fuji is a potent symbol in Zen painting, representing an immovable mass that is rooted in the ground while also extending above the clouds; both earthly and heavenly, it thus embodies the Zen notion of the nonbinary, something emphasized by Chūhō Sōu’s inscription, which states that Fuji is a single, unified entity. This is further emphasized by the use of nontraditional characters to write “Fuji,” which is expressed here as a homophone that literally means “not two.”

 

—Bradley Bailey

Notes

1. John Stevens and Alice Rae Yelen, Zenga, Brushstrokes of Enlightenment (New Orleans: New Orleans Museum of Art, 1990), 156.