Victoria Sambunaris
Wendover, Utah

Wendover, Utah
Wendover, Utah
Wendover, Utah
CultureAmerican
Titles
  • Wendover, Utah
  • from the series Yet All Remains
Date2007
Place depictedWendover, Utah, United States
MediumChromogenic print
DimensionsImage: 39 × 55 1/8 in. (99.1 × 140 cm)
Sheet: 39 × 55 1/8 in. (99.1 × 140 cm)
Credit LineMuseum purchase funded by W. Burt Nelson in honor of Anne Wilkes Tucker
Object number2008.373
Not on view

Explore Further

Department
Photography
Object Type
Description

“My work in search of
subject matter has taken me on seemingly every road, parkway, thruway, highway,
freeway and turnpike between the coasts and beyond as I traverse the American
landscape.” Accompanied by John McPhee’s book, Annals of the Former World, a literary dissection of the history of
the continent, Sambunaris set out on a cross-country journey, following
Interstate 80 for 11,000 miles over 12 weeks to explore the intersection of
civilization, geology, and natural history in the United States. 

 



Wendover,
Utah
captures the
stubborn, wounded beauty of the landscape in the face of strip-mining, fires,
and urban sprawl. The landscape is “ubiquitous and familiar” to the region, but
they appear as “anomalies to the ordinary eye.” 
Her landscape photographs speak to both the country’s geological
evolution as well as to its embrace of Manifest Destiny.







Sambunaris’s cool and deadpan images of the
American West acknowledge the contemporary influence of the New Topographic tradition
from the 1970s as well as the 19th-century photographs of the same region by
photographers like Timothy O’Sullivan and Carleton Watkins.

Provenance[Yancey Richardson Gallery, New York]; purchased by MFAH, 2008.
Exhibition History"Ruptures and Continuities: Photography Made after 1960 from the MFAH Collection," Museum of Fine Arts, Houston, Brown Foundation Galleries, February 21 - May 9, 2010.
Inscriptions, Signatures and Marks
No visible marks or inscriptions

Cataloguing data may change with further research.

If you have questions about this work of art or the MFAH Online Collection please contact us.

provided
Victoria Sambunaris
2012
Chromogenic print
2016.113
VS-15-10 (Galveston)
Victoria Sambunaris
2015
Chromogenic print
2016.149
Untitled (Alaskan pipeline at Atigun Pass)
Victoria Sambunaris
2003
Chromogenic print
2017.165
Spot 7 Differences
Victoria Díaz Azcoaga
2004
Chromogenic print
2010.228
Untitled
Victoria Crayhon
2005
Chromogenic print
2006.239
"EAT MY FALLOUT" Grafitti, Wendover Air Force Base, Utah
Richard Misrach
1988, printed 1995
Chromogenic print
96.621
Makeshift Dartboard, Barracks Building, Wendover Air Force Base, Utah
Mark Klett
2000–2005
Chromogenic print
2019.353
Ted Victoria
1993
Camera obscura, wood, plexi-glas, mirrors, halogen light bulbs, motorized parts, and toy guns
94.17.A-.F
Interweaving Rhythms
Irene (Victoria) Rousseau
1987
Lithograph, edition 34/140
88.293.9
Jack-in-the-Pulpit
Victoria Ebbels Hutson
1930
Lithograph on wove paper, edition of 50
34.111
Necklace
Victoria Howe
c. 1983
Anodized aluminum, 24k gold-plated bronze, and silk cord
2002.4132
Necklace
Victoria Howe
c. 1983
Anodized aluminum and silk cord
2002.3827