- Wendover, Utah
- from the series Yet All Remains
Sheet: 39 × 55 1/8 in. (99.1 × 140 cm)
Explore Further
“My work in search of
subject matter has taken me on seemingly every road, parkway, thruway, highway,
freeway and turnpike between the coasts and beyond as I traverse the American
landscape.” Accompanied by John McPhee’s book, Annals of the Former World, a literary dissection of the history of
the continent, Sambunaris set out on a cross-country journey, following
Interstate 80 for 11,000 miles over 12 weeks to explore the intersection of
civilization, geology, and natural history in the United States.
Wendover,
Utah captures the
stubborn, wounded beauty of the landscape in the face of strip-mining, fires,
and urban sprawl. The landscape is “ubiquitous and familiar” to the region, but
they appear as “anomalies to the ordinary eye.”
Her landscape photographs speak to both the country’s geological
evolution as well as to its embrace of Manifest Destiny.
Sambunaris’s cool and deadpan images of the
American West acknowledge the contemporary influence of the New Topographic tradition
from the 1970s as well as the 19th-century photographs of the same region by
photographers like Timothy O’Sullivan and Carleton Watkins.
Provenance[Yancey Richardson Gallery, New York]; purchased by MFAH, 2008.
Exhibition History"Ruptures and Continuities: Photography Made after 1960 from the MFAH Collection," Museum of Fine Arts, Houston, Brown Foundation Galleries, February 21 - May 9, 2010.
Inscriptions, Signatures and Marks
Cataloguing data may change with further research.
If you have questions about this work of art or the MFAH Online Collection please contact us.