Henry William Frackmann
The Iron Steamer Harlan, Running between New Orleans and Galveston

The Iron Steamer Harlan, Running between New Orleans and Galveston

Public Domain

The Iron Steamer Harlan, Running between New Orleans and Galveston
CultureAmerican
Titles
  • The Iron Steamer Harlan, Running between New Orleans and Galveston
Date1866
PlaceGalveston, Texas, United States
PlaceNew Orleans, Louisiana, United States
MediumWatercolor and ink over graphite on wove paper
DimensionsSheet: 20 1/4 × 35 3/4 in. (51.4 × 90.8 cm)
Frame: 26 1/8 × 41 5/8 in. (66.4 × 105.7 cm)
Credit LineThe Bayou Bend Collection, museum purchase funded by the Museum Collectors and Mr. and Mrs. Andrew Fossler
Object numberB.2008.1
Not on view

Explore Further

Department
Bayou Bend
Description

This ship portrait by Henry William Frackmann is among the few 19th-century examples depicting a vessel employed in the American South. The Harlan was one of eight steamships commissioned by Charles Morgan from Harlan and Hollingsworth of Wilmington, Delaware. Launched in 1865, it serviced New Orleans, Galveston, and Indianola until it was destroyed by fire in 1894. In addition to carrying cargo and cattle, the Harlan was instrumental in transporting the European immigrants who were traveling westward to settle the Texas interior. 

One of the ship’s flags with the initials “USM” indicates that the Harlan was contracted to carry the United States mail. Another bears the initial “M” referring to Charles Morgan, the Harlan’s owner. Morgan was instrumental in developing the shipping and passenger trade in the Gulf of Mexico. Beginning in the mid-1850s, he established the initial lines that connected the East Coast with the Gulf ports from Alabama to Mexico.

The legend below the portrait specifies that the Harlan was under the command of Captain Thomas Forbes, a figure who is recognized at Bayou Bend with his silver water pitcher (B.89.7) and a gold-headed walking stick (B.93.27). The legend also lists other members of the ship’s crew beginning with its first officer J. W. Hathorn. The text concludes with the notation that the presentation drawing was made as a gift for his brother, Albert, the owner of a shipbuilding yard in Bath, Maine.


Provenance Research Ongoing Inscriptions, Signatures and Marks
l/c margin: "The Iron Steamer HARLAN Captain Thos Forbes \ 1st Office: J. W. Hathorn. Chief Engineer: J. Snyder. Purser A.J. Fullmer. Clerk: J. Cairo. \ RUNNING BETWEEN NEW ORLEANS AND GALVESTON \ Builders: Harlan & Hollingsworth & Co., Wilmington, Del. for Charles Morgan, Esq. of New York \ presented to Albert Hathorn, Esq. by J. W. Hathorn."

l/r below image: "H. W. Frackmann fec. June 1866"

l/r margin: "Machinery. / Diam. of Cyl. 50 inch / Diam. of Paddle Wheels = 28 feet / Face of Bucket 7ft 6inches"

Brass plaque on frame: "THE HARLAN / OF GALVESTON AND NEW ORLEANS / WILLIAM HENRY FRACKMANN / b.1834)"

Cataloguing data may change with further research.

If you have questions about this work of art or the MFAH Online Collection please contact us.

Crimson Cactus bud of New Mexico
Vincent Colyer
1869
Watercolor with pen and ink and scraping over graphite on wove paper
B.97.23
Red Jacket, Chief of the Senecas
Seth Eastman
1852
Watercolor and ink over graphite, with scratching out, on wove paper
B.2018.61
The Commencement of the Action between H.M.S. Avon and the U.S.S. Wasp
John Christian Schetky
after 1812
Ink and gouache over graphite on wove paper
B.62.1.2
Cavern (Thor’s Cave, Staffordshire)
William Day
c. 1789
Watercolor and ink over graphite on laid paper, mounted on wove paper
2024.14
Marjamshausen
Paul Klee
1928
Watercolor and gouache over graphite on wove paper, on artist's paper board mount with pen and ink
39.111
Stage Design for Balanchine's "Liebesträume"
Frederic Stafford
c. 1931
Watercolor, pen and ink, color pencil, gouache with gold over graphite and blue ballpoint pen on wove paper
95.254
Landscape with a Farmhouse and a Peasant Wheeling a Barrow
Léon Bonvin
1865
Watercolor heightened with gouache, pen and sepia-toned ink over graphite with stumping on wove paper
96.729
On the River Seine, Saint-Cloud
Richard Parkes Bonington
c. 1823
Watercolor and pen and ink over graphite with scratching out on wove paper
2023.499
The “Gombo,” Pisa
Edward Lear
September 10, 1883
Watercolor over pen and ink and graphite on wove paper
2017.1
Mount Olympus from Larissa, Thessaly, Greece
Edward Lear
c. 1840s–1860s
Watercolor over pen and ink and graphite on wove paper
2017.119
Port Isaac, Cornwall
Thomas Rowlandson
c. 1790
Watercolor and pen and ink over graphite on wove paper, laid down on artist's mount with washline border
2018.233
Elegant Figures in a Walled Garden
Thomas Rowlandson
1803–1805
Watercolor and ink over graphite on wove paper
2017.384