Thomas Rowlandson
Port Isaac, Cornwall

CultureBritish
Titles
  • Port Isaac, Cornwall
Datec. 1790
Place depictedPort Isaac, United Kingdom
MediumWatercolor and pen and ink over graphite on wove paper, laid down on artist's mount with washline border
DimensionsSheet: 11 1/2 × 18 in. (29.2 × 45.7 cm)
Credit LineThe Stuart Collection, museum purchase funded by Francita Stuart Koelsch Ulmer in honor of Valerie Greiner
Object number2018.233
Not on view

Explore Further

Special Collections
ProvenanceJoseph Grego (1843–1908); T. Hastings; Dr. W. H. Hastings; [Walker Galleries, London, by 1949]; Mr & Mrs Hugh B. Cox; private collection, UK, to 2003; private collection; [Lowell Libson and Jonny Yarker, Ltd], 2007–2018; purchased by MFAH, 2018.
Exhibition History"British Painting from Hogarth to Turner, 1730–1850," National Museum, Stockholm, 1950. (Exhibited as A Port in Cornwall).

"Thomas Rowlandson; Watercolours and prints from stock," Lowell Libson Ltd, London, 2007.
Inscriptions, Signatures and Marks
none noted
none
Catalogue raisonnénone
View this object in The Stuart Collection

Cataloguing data may change with further research.

If you have questions about this work of art or the MFAH Online Collection please contact us.

London and the Thames from Greenwich
John Robert Cozens
c. 1792
Watercolor over graphite on laid paper, laid down on artist's washline mount
2016.345
Langdale Pikes from Windermere
John White Abbott
July 11, 1791
Watercolor and pen and ink with graphite on wove paper on artist’s wove paper mount with wash-line border
2018.234
Rochester Castle from the River Medway
Thomas Girtin
1791/1792
Watercolor and graphite on laid paper, laid down on artist's wash-line mount
2016.344
Villa Borghesi (The Villa Borghese, Rome)
Richard Wilson
1754
Black chalk with white chalk on gray blue laid paper; laid down on the artist's original mount of laid paper with lilac wash laid paper border
2019.288
On Windermere Near Low Wood—Evening Light
John White Abbott
July 16, 1791
Pen and ink and watercolor over graphite on off-white wove paper, and mount with hand drawn wash-line border, attached to backboard
2019.192
A Waterfall at Cynwyd, near Corwen, North Wales
Edward Dayes
c. mid-1790s
Gray and blue wash over graphite on wove paper, laid down on artist's wash-line mount
2021.551
A Castle in a Landscape
Alexander Cozens
c. 1770
Brush and ink with gray and yellow wash on tinted laid paper, laid down on artist's wash-line mount
2018.237
Marjamshausen
Paul Klee
1928
Watercolor and gouache over graphite on wove paper, on artist's paper board mount with pen and ink
39.111
Effects of Sunlight, St. Peter's Colonnades
Hubert Robert
c. 1762
Pen and brown ink and brown wash with white pigment on laid paper, laid down on laid paper with blue (partially faded to green) laid paper border and ruled in black ink
2023.190
Elegant Figures in a Walled Garden
Thomas Rowlandson
1803–1805
Watercolor and ink over graphite on wove paper
2017.384
Sel (Salt)
Paul Klee
1929
Watercolor and pen and ink on laid paper, on artist's paper board mount
39.110
Overall recto
Thomas Rowlandson
1806
Pen with black, gray, and vermillion ink and watercolor over graphite on wove paper
2022.239