Jill Moser
Echo

ArtistAmerican, born 1956
CultureAmerican
Titles
  • Echo
Date2006
Printed inNew York, New York, United States
MediumAquatint with scraping, spitbite and drypoint with roulette on paper, edition 5/30
DimensionsPlate: 9 15/16 × 9 15/16 in. (25.2 × 25.2 cm)
Sheet: 16 15/16 × 16 in. (43 × 40.6 cm)
Credit LineMuseum purchase funded by Dr. Malcom and Jackie Wolens Mazow in honor of Wade Wilson
Object number2007.445
Not on view

Explore Further

Object Type
Provenance Research Ongoing Exhibition HistoryJill Moser, Wade Wilson Art, Houston, January 13—February 23, 2007.

“Line: Making the Mark,” The Museum of Fine Arts, Houston, December 12, 2014–March 22, 2015.

"Line into Space," The Museum of Fine Arts Houston, Dec. 11, 2021-July 11, 2022 [Second Installation/Light-Sensitive Rotation: Kinder Building 312: No Catalog]

Inscriptions, Signatures and Marks
Recto: Inscribed in graphite, below image, lower left: 5/30
Recto: Signed and inscribed in graphite, below image, lower right: Moser 06
Recto: Signed and inscribed in graphite, below image, lower right: Moser 06
Recto: Blind stamp, lower right: BURNET / EDITIONS

Cataloguing data may change with further research.

If you have questions about this work of art or the MFAH Online Collection please contact us.

Lipstick & Cigarettes
Jill Moser
2011
Spitbite aquatint with stenciled coloring on wove paper, edition 20/30
2011.788
Ellipsis
Jill Moser
2006
Aquatint wtih spitbite and drypoint on paper
2007.444
Piranesi State 2
Lothar Osterburg
2008
Photogravure with scraping, drypoint, aquatint spitbite, and line etching, and tea on wove paper, edition 8/15
2019.238
L'artificio (Artifice)
Sandro Chia
1981
Aquatint, drypoint, roulette, scraping, and open bite with asphaltum in brown and black on wove paper, edition I/X
96.12.1
Beer Garden
Nicole Eisenman
2012–2017
Etching, drypoint, aquatint (spit bite, white ground, sugarlift, and flat etch), with scraping and polishing, printed chine collé on gampi and wove paper, edition 5/15
2019.11
Untitled [4]
Eric Fischl
1985
Sugar lift aquatint, scraping, drypoint and roulette in purple, orange, and black, artist's proof X/X
96.22.4
Proof of second state of black plate and only state of brown plate for L'artificio (Artifice)
Sandro Chia
1981
Aquatint, drypoint, roulette, scraping and open-bite with asphaltum in colors
96.140
Proof of first state of black and red plates, with addition of brown tone plate for L'artificio (Artifice)
Sandro Chia
1981
Aquatint, drypoint, roulette, scraping and open-bite with asphaltum in colors
96.138
Convertible
Isca Greenfield-Sanders
2019
Spitbite aquatint in colors and aquatint with drypoint on wove paper, edition 6/35
2020.145
Pink Mountain
Isca Greenfield-Sanders
2019
Spitbite aquatint in colors and aquatint with drypoint on wove paper, edition 6/35
2020.146
Tree Tunnel
Isca Greenfield-Sanders
2019
Spitbite aquatint in colors and aquatint with drypoint on wove paper, edition 6/35
2020.147
Untitled
Jake Berthot
1983
Etching, spitbite aquatint with drypoint on wove paper, edition 7/16
2019.172