Óscar Muñoz
Pixeles

Pixeles

© Oscar Muñoz

Pixeles
Pixeles
ArtistColombian, born 1951
CultureColombian
Titles
  • Pixeles
  • Pixels
Date2003
MediumCoffee, sugar, and Plexiglass
DimensionsEach: 13 3/4 × 13 3/4 × 1 in. (34.9 × 34.9 × 2.5 cm)
Credit LineGift of the artist and Sicardi Gallery in honor of Mari Carmen Ramírez
Object number2006.270.1-.12
Not on view

Explore Further

Object Type
ProvenanceThe artist; [Sicardi Gallery, Houston]; donated to MFAH, 2006.
Exhibition History"Indelible Images (trafficking between life and death)", Museum of Fine Arts, Houston, November 5, 2005 - April 23, 2006.

"North Looks South: Building the Latin American Art Collection," Museum of Fine Arts, Houston, Upper Brown Pavilion, June 7 - September 27, 2009.

"Contingent Beauty." Museum of Fine Arts, Houston. November 22, 2015 - February 28th, 2016
Inscriptions, Signatures and Marks
Several have numbers on the backside - none of which correspond to the order of installation we received for the exhibition.
no signature

Cataloguing data may change with further research.

If you have questions about this work of art or the MFAH Online Collection please contact us.

Editor Solitario
Óscar Muñoz
2011
Video projection on table, edition 2/5 + 2 AP
2014.752.A-.C
Narcisos secos (serie de nueve)
Óscar Muñoz
1999
Charcoal on Plexiglas
2003.316.A-.I
Développement d’un carré dans le nombre d’or
Gregorio Vardanega
1954–1960
Metal, thread, various paints, and plexiglass
2012.349
Variantes
Mira Schendel (Myrrha Dagmar Dub)
1977
93 rice paper monotypes framed by plexiglass sheets and hung with acrylic thread
2004.1701.1-.93
Overall front with bonnet
Giordano Guerra
no date
Plastic, cement and plexiglass
2022.531
Overall
William Pérez
2011
Etched plexiglass and stainless steel
2022.565
Overall proper right view
Lisandra Ramírez Bernal
2015
Digital photo on plexiglass, edition 7 of 7
2022.597
Large Glass/Pigall’s: In Memory of Louis Morin and Marcel Duchamp
Alan Glass
2000
Perforated wooden sheet covered with Plexiglass, postcards, a hoof, a fuzzy breast, a gas lamp, a dancer’s leg, images of other paintings, and a fan
2014.920
Extraction of Plenty from What Remains: 1823-
Mel Chin
1989
Painted plaster and wood, with Honduran mahogany and banana fibers coated with coffee, mud, and blood
2009.1352.A-.C
Antonio Berni
1962
Goauche, wood, and metal, including coffee tin and tea cans, chicken wire, and mesh; egg carton, cardboard, lace, wine corks, and broom fibers on plywood
2019.179
"Ella" y "El"
Celia Alvárez Muñoz
1990
Maple cabinet, silver dye bleach photographs, letterpress type, fabric, ribbon, buttons, dijos, and found objects
98.720
Bondage Duck #2
Al Taylor
1998
Foamed plastic fishing floats, rubber bands, latex coating, bamboo garden stake, and sand-filled coffee can with plastic lid
2002.3444