Mel Chin
Extraction of Plenty from What Remains: 1823-

Extraction of Plenty from What Remains: 1823-
Extraction of Plenty from What Remains: 1823-
Extraction of Plenty from What Remains: 1823-
ArtistAmerican, born 1951
CultureAmerican
Titles
  • Extraction of Plenty from What Remains: 1823-
Date1989
PlaceUnited States
MediumPainted plaster and wood, with Honduran mahogany and banana fibers coated with coffee, mud, and blood
DimensionsOverall: 144 × 105 × 68 in. (365.8 × 266.7 × 172.7 cm)
Credit LineMuseum purchase
Object number2009.1352.A-.C
Current Location
The Nancy and Rich Kinder Building
Atrium Floor 3
On view

Explore Further

Object Type
ProvenancePurchased by MFAH, 2009.
Exhibition History"Viewpoints: Mel Chin," Menil Collection, Houston, April 28–August 25, 1991.

"Do Not Ask Me," Houston Station Museum of Contemporary Art, Houston, January 21–May 14, 2006.

"Mel Chin: Rematch," New Orleans Museum of Art, February 21–May 24, 2014.

Cataloguing data may change with further research.

If you have questions about this work of art or the MFAH Online Collection please contact us.

Some Notable General Officers at Tampa, Florida
Frederic Remington
June 4, 1898
Wood engraving on newsprint
91.1430.255
9-11/9-11
Mel Chin
2007
Single-channel video
2007.1147
Untitled [Terra Infirma]
Mel Chin
1981–1983
Encaustic on canvas
90.302
good
Mel Chin
2000
Stencil on vintage wire screen, edition 24/25
2003.969
Mel Chin
1993
Photocopy
94.113.6
Combo Club, State No. 4
Mel Chin
1993
Photo-etching with aquatint and burnishing, state IV
94.113.5
Mel Chin
1993
Photo-etching with aquatint, state III
94.113.4
Mel Chin
1993
Etching and photoetching with additions in brown ink and graphite, state II
94.113.3
Mel Chin
1993
Etching and photo-etching on paper, state I
94.113.2
Combo Club
Mel Chin
1993
Etching with aquatint, burnishing and photo etching, edition 27/50
94.113.1
Voice print for Combo Club
Mel Chin
August 1993
Photocopy
94.113.7