Thomas Johnston
QUEBEC, The Capital of NEW-FRANCE, a Bishoprick, and Seat of the Soverain Court

QUEBEC, The Capital of NEW-FRANCE, a Bishoprick, and Seat of the Soverain Court

Public Domain

QUEBEC, The Capital of NEW-FRANCE, a Bishoprick, and Seat of the Soverain Court
ArtistAmerican, 1708–1767
CultureAmerican
Titles
  • QUEBEC, The Capital of NEW-FRANCE, a Bishoprick, and Seat of the Soverain Court
Date1759
Place depictedQuebec, Canada
Published inBoston, Massachusetts, United States
MediumEngraving and etching on laid paper, state II/II
DimensionsPlate: 7 1/2 × 9 1/2 in. (19.1 × 24.1cm)
Sheet: 8 1/2 × 9 3/4 in. (21.6 × 24.8 cm)
Credit LineThe Bayou Bend Collection, museum purchase funded by the Houston Junior Woman's Club
Object numberB.2002.6
Not on view

Explore Further

Department
Bayou Bend
Object Type
Description

Thomas Johnston, like many early American craftsmen, was something of a jack-of-all-trades. Contemporary descriptions refer to him as a house painter, painter of coats of arms, publisher of musical books, and as one of New England’s first organ builders; however, he is best known as a decorator of Japanned furniture and an engraver.

On August 13, 1759, Johnston announced his engraved view of Quebec. Exactly one month later on the Plains of Abraham adjacent to the city, the British and colonial American forces engaged in battle with the French and Indians. After four days the city surrendered, effectively halting France’s colonial expansion in North America. On October 1, an advertisement appeared in the Boston Evening Post announcing that Johnston’s view of Quebec was being reissued, this time with an account of the recent battle. This is an example of the revised print.


Provenance[William Reese Company, New Haven, Connecticut]; purchased by MFAH, 2002.
Inscriptions, Signatures and Marks
Recto: Inscribed in printed ink, below plate, center: QUEBEC, The Capitol of NEW-FRANCE, a Bishoprick, and / Seat of the Soverain COURT.
Recto: Inscribed in graphite, in plate, left: 1. The Citadel 2 the Caſtle / 3. Magazine. 4, ye Recolets. / 5. Urſulines 6. Jeſuits. 7.
Recto: Inscribed in graphite, in plate, center left: 7 Cathedral of Our Lady. / 8.The Palace 9. y.e Seminary. / 10. The Hôtel Diew.
Recto: Inscribed in graphite, in plate, center right: 11. S:t Charles River. / 12. The Common Hoſpital. / 13. The Hermitage of the Recolets.
Recto: Inscribed in graphite, in plate, right: 14. The Biſhop’s Houſe. 15. The / Pariſh Church of the Lower Town. / The Upper Town 17. ye Lower Town. / The Platform & Battery of Cannon. / 19. The Iſle of Orleans. 20. Point Lievi
Recto: Inscribed in graphite, below plate, center bottom edge: Engrav’d & Printed By Tho.s Johnſtonfor Sten. Whiting. QUEBEC ye Captiol of New FANCE, reduced formerly by the Engliſh in 1629 / and delivered up 1632. Unſuccesſfully attempted twice ^ since [superscript] 1690. & 1711. But Surrendered to his Brit Majeſty Sep. 17 1759, after a Battle near it o. / ye 13th of Sep.t wherein both ye Brave Gen: Wolfe & ye French Gen: lost their lives. The Enemy were about 12,000 Strong y.e Brit. Army 4 or 5,000 Killed and / wounded of ye former12, or 1500 . of ye latter 5or600 Brig: Gen.l Townſend Commanded the Brit: Troops when ye CITY Surrendred.

Cataloguing data may change with further research.

If you have questions about this work of art or the MFAH Online Collection please contact us.

QUEBEC, The Capital of NEW-FRANCE, a Bishoprick, and Seat of the Soverain Court
Thomas Johnston
1759
Etching and engraving with watercolor on laid paper, I/II
B.2002.5
The Enraged Musician
William Hogarth
November 1741
Engraving and etching on laid paper, state II/II
2014.907.28
The Distressed Poet
William Hogarth
March 1736/1737
Engraving and etching on laid paper, state II/II
2014.907.27
The 4 Times of Day, Noon
William Hogarth
March/May 1738
Engraving and etching on laid paper, state II/II
2014.907.22
The Holy Women at the Sepulchre
Jacques Bellange
1613–1616
Etching and engraving on laid paper, state II/II
2001.565
Overall recto
François Boucher
1740
Etching on laid paper, state II/IV
2022.262
View of the City of New York in the State of New York, North America
Samuel Seymour
1803
Etching and engraving on wove paper, state II/III
B.2015.2
Afternoon Promenade
Mary Cassatt
1881
Soft ground etching with aquatint on laid paper, state II/II
2021.602
Overall recto.
Caroline Helena Armington
1937
Etching on laid paper, state II/II, from a planned edition of 80
2022.716
The Horse of Ostend
Robert Sargent Austin
1921
Etching on cream laid paper, state II/II, from the edition of 40
2022.314
Shadows of Venice (Il Ponte di Rialto, Venezia)
John Taylor Arms
1930
Etching on cream laid paper, state II/II, from the edition of 140
2022.315
Saint Thäis
Girolamo Francesco Maria Mazzola (called Parmigianino)
c. 1524–1530
Etching on cream laid paper, state II/II
2013.685