Richard Stankiewicz
Untitled

Untitled
Untitled
Untitled
ArtistAmerican, 1922–1983
CultureAmerican
Titles
  • Untitled
Date1964
PlaceNew York, United States
MediumOpen bite etching and relief etching with drypoint in black ink on non-woven polyester, edition 17/20
DimensionsOverall: 39 3/16 × 26 7/16 in. (99.5 × 67.2 cm)
Credit LineMuseum purchase funded by the Louisa Stude Sarofim Charitable Trust, courtesy of Christopher Sarofim, Leslie and Jack S. Blanton, Jr.; and the Arch and Stella Rowan Foundation, Inc.
Object number2000.87
Not on view

Explore Further

Object Type
Provenance Research Ongoing Exhibition History"Acid on Metal: The Art of Etching and Aquatint," Museum of Fine Arts, Houston, 11 September - 27 November 2011.

“The Use of Found Objects,” The Museum of Fine Arts, Houston, July 23—November 2, 2014.

"Making Contact," The Museum of Fine Arts Houston, Aug. 20, 2021 - Jan. 2, 2022. [Second Installation/Light-Sensitive Rotation: Kinder Building 207: No Catalog]
Inscriptions, Signatures and Marks
Recto: Inscribed in graphite, bottom left of image: #17/1964
Recto: Signed in graphite, bottom right of image: R. Stankiewicz
Signed in pencil, lower right of plate: "R. Stankiewicz"

Cataloguing data may change with further research.

If you have questions about this work of art or the MFAH Online Collection please contact us.

taken from http://www.ulae.com/martinpuryear/MartinPuryear_2016_UntitledState1.aspx
Martin Puryear
2016
Drypoint, etching, soft ground etching, sugar lift, open bite and aquatint in colors on wove paper, bon à tirer of an edition of 29
2017.106
L'artificio (Artifice)
Sandro Chia
1981
Aquatint, drypoint, roulette, scraping, and open bite with asphaltum in brown and black on wove paper, edition I/X
96.12.1
Reconciling Attitudes #5
Suzanne Manns
1992
Sugar lift aquatint with open-bite, scraping, and burnishing, solvent transfer, and pastel, on wove paper printed relief in yellow
93.162
Home
Kiki Smith
2006
Spit bite in colors, aquatint with flat bite, hard ground and soft ground etching, and drypoint, printed chine collé on Gampi paper, on wove paper, edition 8/20
2017.136
Alla torre (To the Tower)
Sandro Chia
1981
Etching, aquatint, and open bite with asphaltum in colors, edition I/X
96.12.2
Proof of second state of black plate and only state of brown plate for L'artificio (Artifice)
Sandro Chia
1981
Aquatint, drypoint, roulette, scraping and open-bite with asphaltum in colors
96.140
Proof of first state of black and red plates, with addition of brown tone plate for L'artificio (Artifice)
Sandro Chia
1981
Aquatint, drypoint, roulette, scraping and open-bite with asphaltum in colors
96.138
Mondschein [Moonlight (Night in Saint-Cloud)]
Edvard Munch
1895
Drypoint with open bite and burnishing on wove paper
2000.127
Park Place Variation
Wayne Thiebaud
1995
Hard ground etching with drypoint, spit bite aquatint and roulette in black and red on wove paper, edition 9/10
98.457
Day Six
John Cage
January 7, 1978
Hard ground etching, drypoint, soft ground etching, sugar aquatint, photo etching, found objects, and color etching in black, blue, and brown, edition 20/25
78.57.6
Day Seven
John Cage
January 8, 1978
Hard ground etching, drypoint, soft ground etching, sugar aquatint, photo etching, found objects, and color etching in black, gold, and blue, edition 20/25
78.57.7
provided
Buckminster Fuller
1977
Portfolio of 25 bound lithographs in black and blue on wove paper, bound with rag board, black wove paper, and Dacron woven polyester cloth in a triangular wooden case with lid, edition 29/34
2016.23