John Ewan
Vase

MakerAmerican, 1786–1852, active Charleston, 1823–1852
CultureAmerican
Titles
  • Vase
Date1832
Made inCharleston, South Carolina, United States
MediumSilver
Dimensions13 × 9 in. diameter (33 × 22.9 cm)
Credit LineThe Bayou Bend Collection, museum purchase funded by William J. Hill, and by Miss Ima Hogg by exchange
Object numberB.88.19
Current Location
Bayou Bend Collection and Gardens
Metals Study Room
On view

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Department
Bayou Bend
Object Type
Description

Charleston, South Carolina, Unitarian minister John Gilman received this vase as a tribute in recognition of his National Ode written in praise of the Union for the Independence Day celebration of 1831 as tensions between South Carolina and the United States government were growing. The vase is a rare example of early Southern silver and a reflection of contemporary political dynamics that foreshadowed those that later surrounded the Civil War.

South Carolina suffered greatly after the Panic of 1819, a national financial crisis marked by the effects of excessive speculation in public lands. The United States enacted tariffs in 1828 intended primarily to protect northern industries against inexpensive, imported manufactured goods. Southern interests viewed the tariffs, which they called the “Tariff of Abominations,” as causing further harm to the region’s economy, which was based largely on enslaved labor for the production of agricultural commodities, especially cotton. Amended tariffs in 1832 remained unacceptable to South Carolina, resulting in the state’s nullification of the tariffs and preparations to resist military action from the federal government to enforce them. Although a compromise in 1833 ended the Nullification Crisis, South Carolina’s assertion of state’s rights against federal authority in matters related to the South’s slave-based economy foretold the central conflict leading to the Civil War.


ProvenanceThe Reverend Samuel Gilman (1791–1858), Charleston; bequeathed to his widow, Caroline Howard Gilman (1794–1888); given to her daughter Abby Louisa Gilman (Mrs. Francis Porcher, 1820–1883); given to her daughter Louisa Porcher (1855–1937); given to her cousin Marguerite Allen Sinkler (Mrs. Howard Alston Deas, 1895–1984); given to her daughter Milward Blamyre Deas (Mrs. Lucian Whitaker Pinckney), Palm Desert, California; Mrs. Pinckney through [V. C. Schwerwin, Colonial Antiques Shop, Charleston, South Carolina]; purchased by MFAH, 1988.
Exhibition HistoryLoaned to "Classical Taste in America, 1800–1840" at The Baltimore Museum of Art, MD, June 27–September 26, 1993, Los Angeles County Museum of Art
Dec 16 1993–Mar 14 1994, Museum of Fine Arts, Houston, Houston, TX
May 1–Jul 24, 1994 (LN:93.5).

Inscriptions, Signatures and Marks
Engraved on side: An American eagle, clutching a scroll inscribed E PLURIBUS UNUM. Below, within a wreath of palm and laurel: TO THE AUTHOR [italics] / of the National Ode written [italics] / for the 4th [two dots underneath th] [italics] of July 1831, / The Revd.[d superscript with period [.] underneath] Samuel Gilman / and as a tribute of affectionate respect / for the Patriot the Scholar / and The Poet / the friends of National Union / have Presented / THIS VASE. Charleston So. [o superscript with period [.] underneath] Ca. [a superscript with period [.] underneath]
Engraved on base: 63–13
Engraved on the reverse, framed by engraved laurel branches, the poem that Gilman penned for the Union meeting of July 4, 1831 [see Bayou Bend Collection Catalogue, p. 317]
On each side of the plinth: mark of John Ewan [Belden 1980, p. 160, b]

Cataloguing data may change with further research.

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