Artist
Brice Marden (American, 1938–2023)American, 1938–2023
CultureAmerican
Titles
- Proof of first state of 19
- from Etchings to Rexroth
Dateno date
PlaceNew York, NY, United States
MediumSugar lift aquatint, open-bite, and scraping on wove paper
DimensionsPlate: 7 15/16 × 7 in. (20.2 × 17.8 cm)
Sheet: 20 × 15 3/4 in. (50.8 × 40 cm)
Sheet: 20 × 15 3/4 in. (50.8 × 40 cm)
Credit LineThe Peter Blum Edition Archive, 1980-1994, gift of Peter Blum/Blumarts, Inc., New York
Object number96.206
Not on view
Explore Further
Department
Prints and DrawingsObject Type
Exhibition History"Singular Multiples: The Peter Blum Edition Archive, 1980–1994," Museum of Fine Arts, Houston, April 23–October 15, 2006.
"Proof of Concept: Artistic Process in Contemporary Printmaking, Selections from the Museum’s Collection," Museum of Fine Arts, Houston, January 9–November 15, 2020.
Inscriptions, Signatures and Marks
Verso marked in pencil, lower left: "20" and "MARD 102".
Cataloguing data may change with further research.
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Brice Marden
1986
Sugar lift aquatint, open-bite, and scraping on wove paper
96.207
Brice Marden
1986
Sugar lift aquatint, etching, and scraping, artist's proof II/X, state I/I
96.29.19
Suzanne Manns
1992
Sugar lift aquatint with open-bite, scraping, and burnishing, solvent transfer, and pastel, on wove paper printed relief in yellow
93.162
Brice Marden
1986
Sugar lift aquatint, etching, and scraping on wove paper, artist's proof II/X, state II/II
96.29.21
Brice Marden
1986
Sugar lift aquatint with scraping and etching on wove paper, artist's proof II/X, state I/I
96.29.4
Martin Puryear
2016
Drypoint, etching, soft ground etching, sugar lift, open bite and aquatint in colors on wove paper, bon à tirer of an edition of 29
2017.106
Sandro Chia
1981
Aquatint, drypoint, roulette, scraping and open-bite with asphaltum in colors
96.138
Brice Marden
1986
Sugar lift aquatint, etching, and scraping, artist's proof II/X, state I/I
96.29.22