Thomas Rowlandson
The Mishap

ArtistBritish, 1756–1827
CultureBritish
Titles
  • The Mishap
Date1806
PlaceEngland
MediumGray ink, bistre and watercolor
DimensionsFrame: 18 5/8 × 20 7/8 in. (47.3 × 53 cm)
Credit LineSarah Campbell Blaffer Foundation, Houston
Object numberBF.1986.7
Not on view

Explore Further

Provenance Research Ongoing Exhibition History"The Art of Exaggeration," The Museum of Fine Arts, Houston, July 1–September 23, 2012.

"Eighteenth and Nineteenth-Century British Works on Paper from the Sarah Campbell Blaffer Foundation, Houston," Beeville, Texas, January 18, 2000.

"British Paintings 1550–1800 from the Collection of the Sarah Campbell Blaffer Foundation," Ellen Noël Art Museum, Odessa, Texas, November 13, 2010–January 10, 2011.

Cataloguing data may change with further research.

If you have questions about this work of art or the MFAH Online Collection please contact us.

Eight Studies of Heads, Including at Least One Self-Portrait
Thomas Rowlandson
c. 1800?
Pencil, bister ink and blue and gray watercolor
BF.1986.17
Port Isaac, Cornwall
Thomas Rowlandson
c. 1790
Watercolor and pen and ink over graphite on wove paper with artist’s mount with washline border
2018.233
Elegant Figures in a Walled Garden
Thomas Rowlandson
1803–1805
Watercolor and ink over graphite on wove paper
2017.384
A Windmill
Thomas Girtin
c. 1800
Watercolor and graphite on paper
BF.1986.8
Jean-Honoré Fragonard
possibly 18th century or probably 19th century
Brush and brown wash, probably bistre, pen and brown ink over red ink underdrawing heightened and corrected with white lead on paper
83.224
The Town and Fort of Thorshaven
Edward Dayes
1789
Watercolor over fine charcoal and ink
BF.1986.19
Skellingfell on the Island of Stromoe, Faroe Islands
Edward Dayes
1789
Watercolor over graphite and ink
BF.2015.3
Overall recto
Thomas Rowlandson
1806
Pen with black, gray, and vermillion ink and watercolor over graphite on wove paper
2022.239
Margate
Joseph Mallord William Turner
c. 1835–1840
Watercolor over soft lead pencil
BF.1986.20
A View of Conway Castle From the North-west
Paul Sandby
c. 1790–1800
Watercolor and white bodycolor over charcoal
BF.1986.18
Saint Peter Sleeping (recto); Study for a Saint Luke, Seated, Reading (verso)
Workshop of Alessandro Botticelli
c. 1500
Pen and iron gall ink, and iron-based brown and red washes, heightened with lead white on laid paper
BF.1976.1.A,.B
Overall recto
Claude Antoine Cinier
c. late 1830s–1885
Pen and gray ink, gray wash, and watercolor on paper
2023.502