Unknown American
Settee

CultureAmerican
Titles
  • Settee
  • Part of a Set of Eight Side Chairs and Settee
Datec. 1750–1800
Made inMassachusetts, United States
Probable placeBoston, Massachusetts, United States
MediumMahogany and birch; southern yellow pine
Dimensions40 1/2 × 76 × 26 3/4 in. (102.9 × 193 × 67.9 cm)
Credit LineThe Bayou Bend Collection, gift of Miss Ima Hogg
Object numberB.69.361.1
Current Location
Bayou Bend Collection and Gardens
Massachusetts Room
On view

Explore Further

Department
Bayou Bend
Object Type
Description

The English designer Robert Manwaring was one of Thomas Chippendale’s most prominent contemporaries. Manwaring’s pattern books had a far greater impact on the cabinet trade in New England than did Chippendale’s or any other publication. The Bayou Bend side chair, reminiscent of Manwaring’s designs, relates even more closely to English examples. Remarkably, this chair, its seven mates, and the related settee (B.69.361.1) have remained intact, illustrative of the eighteenth-century fashion to furnish a room en suite and symmetrically. 

Technical notes: Mahogany; birch (slip seats). The construction follows the standard New England practice of the period (see B.57.75). The front seat rails are all stamped, B.69.361.2, VIII; B.69.361.3, IIII;  B.69.361.4, III; B.69.361.5, I; B.69.361.6, II; B.69.361.7, IV; B.69.361.8, V; and B.69.361.9, VII.

Related examples: Keyes 1925; Downs 1952, no. 152; Randall 1965, pp. 180, 182, no. 143; Sack 1969–92, vol. I, p. 243, no. 605; Greenlaw 1974, pp. 62–63, no. 54; Fales 1976, pp. 53–55, nos. 92–96; Kane 1976, pp. 146–50, nos. 124–28; Fairbanks et al. 1981, p. 602; Weidman 1984, pp. 51–52, no. 7; Jobe and Kaye 1984, pp. 381–89, nos. 109–12; another belongs to the Bostonian Society (acc. no. 1898.22).

Book excerpt: David B. Warren, Michael K. Brown, Elizabeth Ann Coleman, and Emily Ballew Neff. American Decorative Arts and Paintings in the Bayou Bend Collection. Houston: Princeton Univ. Press, 1988.


ProvenanceBy family tradition owned by Elizabeth Cheney (Mrs. Aaron White, 1747/48–1827), Roxbury, Massachusetts; inherited by her son and daughter-in-law William White (b. 1779) and Nancy Avery White (1785–c. 1864); purchased by Reverend William Howe Sanford (1800–1879); inherited by his son Charles Ethan Sanford (1840–1896); inherited by his son George Ruggles Sanford, who sold the suite [1]; purchased through Israel Sack as agent [Albert J. Collings, Collings and Collings, New York]; purchased by Miss Ima Hogg, 1927; given to MFAH, by 1969.

[1] This information came from a letter Miss Hogg received in 1955 from Emma Corbet Sanford, sister of George Ruggles Sanford, in whose family this furniture descended.
Inscriptions, Signatures and Marks
[no inscriptions]
[no marks]

Cataloguing data may change with further research.

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scan from file photograph
Unknown American
c. 1750–1800
Mahogany; eastern white pine, birch, southern yellow pine, and hickory
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scan from file photograph
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scan from file photograph
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c. 1750–1800
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c. 1750–1801
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c. 1750–1800
Mahogany; chestnut, southern yellow pine, eastern white pine, and yellow-poplar
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c. 1760–1800
Mahogany; mahogany, Atlantic white cedar, yellow-poplar, white oak, and southern yellow pine
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c. 1760–1800
Mahogany; mahogany, Atlantic white cedar, cedar, southern yellow pine, and yellow-poplar
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c. 1765–1785
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c. 1755–1800
Mahogany; yellow-poplar, southern yellow pine, and Atlantic white cedar
B.69.77.1
Side Chair (one of a pair)
Unknown American
c. 1755–1800
Mahogany; yellow-poplar, southern yellow pine, and Atlantic white cedar
B.69.77.2
Side Chair
Unknown American
c. 1755–1800
Mahogany; southern yellow pine, Atlantic white cedar, and yellow-poplar
B.69.80
Card Table
Unknown American
c. 1755–1800
Mahogany; yellow-poplar, southern yellow pine, white oak, and hickory
B.70.23