Untitled (Kimono)
Artist
Allan Otho Smith(American, born 1949)American, born 1949
PrinterPrinted by
David Folkman (American, 1938–1993)American, 1938–1993
PublisherPublished by
Little Egypt Enterprises(Houston)Houston
CultureAmerican
Titles
- Untitled (Kimono)
Datec. 1975-1981
MediumScreenprint on paper
DimensionsImage: 20 1/4 × 16 1/8 in. (51.5 × 41 cm)
Sheet: 28 × 19 in. (71.1 × 48.2 cm)
Frame: 32 1/8 × 23 1/8 × 3/4 in. (81.6 × 58.7 × 1.9 cm)
Sheet: 28 × 19 in. (71.1 × 48.2 cm)
Frame: 32 1/8 × 23 1/8 × 3/4 in. (81.6 × 58.7 × 1.9 cm)
Credit LineGift of Sandra Tirey and Jan van Lohuizen
Object number2026.189
Not on view
Explore Further
Department
Prints and DrawingsObject Type
Exhibition Historynone known
Published References none Inscriptions, Signatures and Marks
Recto: [none]
Verso: [inaccessible]
Verso: [inaccessible]
Recto: Publisher's chopmark, below image, left bottom edge: [Little Egypt Enterprises]
Recto: Printer's chopmark, below image, center bottom edge: [David Folkman]
Recto: Printer's chopmark, below image, right bottom edge: [Allan Otho Smith]
Recto: Printer's chopmark, below image, center bottom edge: [David Folkman]
Recto: Printer's chopmark, below image, right bottom edge: [Allan Otho Smith]
Catalogue raisonnénone
Cataloguing data may change with further research.
If you have questions about this work of art or the MFAH Online Collection please contact us.
Allan M. d'Arcangelo
1967
Screenprint in blue, black, and red on wove paper, edition 23/100
91.1664.13
Antonio Martorell
1976
Woodcut in colors and collage of screenprint in ochre on Asian paper and screenprint in black and electrostatic print on wove paper, edition 2/25
2024.551.3
Jim Hodges
2019
Cut and pasted photolithograph in colors and screenprint on kozo paper; lithograph, inkjet print and screenprint in colors and metal foils on wove paper, edition 22/28
2020.163
Jim Dine
1966
Collage of screenprint on acetate, screenprint on torn wove paper, and graphite on cut wove paper
79.265
Jim Hodges
2015
Etching, aquatint, sugar lift, spit bite and drypoint in colors with scraping and burnishing on wove paper and brown Gampi paper; screenprint in white ink on white Gampi paper, and hand-cut Beva film, printer’s proof 1/4
2021.502
Joseph Cornell
1972
Screenprint in colors with stencil and varnish on wove paper, edition 101/125
91.287
