Mark Klett
Saguaro sun through clouds behind arm ocotillo

Saguaro sun through clouds behind arm ocotillo
Saguaro sun through clouds behind arm ocotillo
ArtistAmerican, born 1952
CultureAmerican
Titles
  • Saguaro sun through clouds behind arm ocotillo
Date2023
MediumInkjet print on Japanese Kozo tissue
DimensionsImage: 24 7/8 × 18 3/4 in. (63.2 × 47.6 cm)
 Sheet: 29 × 19 3/4 in. (73.7 × 50.2 cm)
Credit LineMuseum purchase funded by W. Burt Nelson
Object number2025.42
Not on view

Explore Further

Department
Photography
Object Type
ProvenanceThe artist; [Etherton Gallery, Tucson, Arizona, 2024]; purchased by MFAH, 2025.
Inscriptions, Signatures and Marks
Inscribed in pencil, verso, bottom edge: ©2023 Mark Klett [signed] 3/20
Signed in pencil, verso, bottom edge: Mark Klett

Cataloguing data may change with further research.

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Storm Clouds over Eastern Idaho, near Craters of the Moon
Mark Klett
Storm Clouds over Eastern Idaho, near Craters of the Moon
1980, printed 1982
Gelatin silver print
86.135.2
Overall recto
Morita Shiryū
Kumo-mushin (the cloud is egoless; like drifting clouds we should live spontaneously)
c. 1964
Four-panel folding screen; sumi ink on kozo paper
2023.290
Looking Through the Snow Tunnel Above Goat Lake: Sawtooth Range, ID
Mark Klett
Looking Through the Snow Tunnel Above Goat Lake: Sawtooth Range, ID
1981
Gelatin silver print
91.783
Untitled
Accra Shepp
Untitled
2003
Gelatin silver emulsion on leaf, Japanese kozo paper
2013.577
Untitled
Accra Shepp
Untitled
2003
Gelatin silver emulsion on leaf, Japanese kozo paper
2013.576
Untitled
Norman Zammitt
Untitled
1967
Lithograph in colors on Japanese nacre kozo paper, trial proof E/R
2023.451
Astatic
Josef Albers
Astatic
1944
Woodcut from plywood on Japanese nacre kozo wove paper, edition 29/35
2021.88
Viewing Thomas Moran at the Source, Artist's Point, Yellowstone
Mark Klett
Viewing Thomas Moran at the Source, Artist's Point, Yellowstone
August 30, 2000
Inkjet print
2006.245
Four views from four times and one shoreline, Lake Tenaya. Left to right: Eadweard Muybridge, 1872; Ansel Adams, c. 1942; Edward Weston, 1937. Back Panels: Swatting high-country mosquitoes, 2002.
Mark Klett
Four views from four times and one shoreline, Lake Tenaya. Left to right: Eadweard Muybridge, 1872; Ansel Adams, c. 1942; Edward Weston, 1937. Back Panels: Swatting high-country mosquitoes, 2002.
2002
Inkjet print
2005.224
Above Lake Tenaya Connecting Views from Edward Weston to Eadweard Muybridge, Left: Edward Weston, 1936. Juniper. Right: Eadweard Muybridge, 1872. Ancient Glacier Channel, at Lake Tenaya, Mammoth, Plate #47
Mark Klett
Above Lake Tenaya Connecting Views from Edward Weston to Eadweard Muybridge, Left: Edward Weston, 1936. Juniper. Right: Eadweard Muybridge, 1872. Ancient Glacier Channel, at Lake Tenaya, Mammoth, Plate #47
2002
Inkjet print
2005.225
Confirming the details of the moment across the geologic horizon of Marble Canyon. Views from a military spotting scope on the Platform where William Holmes drew the eastern edge of the Kaibab (1882)
Mark Klett
Confirming the details of the moment across the geologic horizon of Marble Canyon. Views from a military spotting scope on the Platform where William Holmes drew the eastern edge of the Kaibab (1882)
2008
Inkjet print
2011.704
Panorama from Hopi Point on the Grand Canyon, made over two days extending the view of Ansel Adams
Mark Klett
Panorama from Hopi Point on the Grand Canyon, made over two days extending the view of Ansel Adams
2007, printed 2009
Inkjet print
2010.26