sliderarrowCloseMenushare_facebookshare_instagramshare_xshare_linkedinshare_threadsshare_shareshare_tranditionalshare_calendarshare_emailicon_threadsconnect_facebookconnect_instagramconnect_xconnect_youtubeconnect_atbtn_arrowhamburger-x
Skip to main content
Collections Menu
CultureIraqi
Titles
  • Ketubbah
Date1833
MediumInk, watercolor and metal leaf on laid paper
DimensionsSheet: 19 × 13 1/4 in. (48.3 × 33.7 cm)
Mat: 25 × 21 in. (63.5 × 53.3 cm)
Credit LineMuseum purchase funded by Jacquelyn Barish in loving memory of Shirley and Marvin Barish
Object number2025.6
Not on view

Explore Further

ProvenanceMenahem ben Jarib Menahem and Sara bat Eliyahu ben Musa, 1833; David Solomon Sassoon (1880-1942) [1], London; Solomon David Sassoon (1915-1985); Private collection; [Benjamin Zucker, New York, until 2024]; purchased by MFAH, 2024.

[1] Described by Sotheby’s as an “avid and prolific collector of Judaica,” businessman, philanthropist, and scholar David Solomon Sassoon used his travels through Europe, North Africa, and the Middle and Far East as an opportunity to purchase Jewish manuscripts, which he also acquired at auctions and through extensive dealings with antiquarian booksellers. In 1932, Oxford University Press Published Ohel Dawid, a two-volume catalogue of Sassoon’s Hebrew and Samaritan manuscripts, which numbered over 1,200 by the time Sassoon died in 1942. Following Sassoon’s death, his son, Solomon David, inherited his father’s collection and built a library in Letchworth, England, to house it. Solomon David immigrated to Israel in 1970, and five years later Sotheby’s began dispersing the Sassoon collection in a series of sales that continued through 1994.
Exhibition HistoryNone known
Published References None known Inscriptions, Signatures and Marks
Recto: Graphite "28"
Recto: Watermark, center bottom edge: tre lune (three crescent)
Recto: Printed black ink sticker label "284"

Catalogue raisonnéNone

Cataloguing data may change with further research.

If you have questions about this work of art or the MFAH Online Collection please contact us.

Image provided by curatorial.
Unknown Yemeni
1847
Ink and watercolor on laid paper
2025.5
Image provided by curatorial.
Unknown Indian
1851
Watercolor, gouache, ink and graphite on laid paper
2025.7
Study for La Naissance de la Vierge (The Birth of the Virgin)
Giulio Cesare Procaccini
c. 1600–1610
Red chalk on laid paper with 18th-century laid paper mount ruled with ink, wash and metal foil
2019.59
Sel (Salt)
Paul Klee
1929
Watercolor and pen and ink on laid paper, on artist's paper board mount
39.110
Cavern (Thor’s Cave, Staffordshire)
William Day
c. 1789
Watercolor and ink over graphite on laid paper, mounted on wove paper
2024.14
Satan alarm'd
Richard Westall
c. 1790s
Watercolor, pen and ink, and gouache, over graphite on laid paper
2014.65
Deposition
Denys Calvaert
c. 1595
Black chalk, pen and brown ink, watercolor, and white heightening, squared for transfer with black chalk on laid paper
2013.173
The Gateway to a Town
Abraham Bloemaert
c. 1630
Pen and brown ink with watercolor and red chalk on laid paper
74.254
Untitled
Dorothy Dehner
1953
Watercolor and ink on laid paper
2007.542
A Panoramic River Landscape with Pollard Willows
Lucas van Uden
1640–1650
Pen and brown ink and watercolor on laid paper
2014.145
Le Grand Escalier (The Large Staircase)
Hubert Robert
1761–1765
Pen and black ink, brush and gray wash and watercolor with traces of black chalk on laid paper with watermark
44.545
Ullswater
Francis Towne
c. 1786
Graphite, pen and black and brown ink and watercolor on laid paper
2024.15
Unknown Iraqi