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Study of a Standing Female Nude (Marguerite) [recto]; Study of a Resting Male Nude [verso]

Study of a Standing Female Nude (Marguerite) [recto]; Study of a Resting Male Nude [verso]

Public Domain

Study of a Standing Female Nude (Marguerite) [recto]; Study of a Resting Male Nude [verso]
CultureFrench
Titles
  • Study of a Standing Female Nude (Marguerite) [recto]; Study of a Resting Male Nude [verso]
Datec. 1790-1820
MediumBlack and white chalk with charcoal and stumping on blue wove paper
DimensionsSheet: 19 1/2 × 11 3/4 in. (49.5 × 29.9 cm)
Credit LineMuseum purchase funded by the Director's Accessions Endowment
Object number2025.172.A,.B
Not on view

Explore Further

ProvenanceCharles-Boulanger de Boisfremont (1773-1838), Paris (Lugt 353) [1]; bequeathed to Mrs. Power (born de Boisfremont) (1838-1864); [Paris, Hotel Drouot (expert F. Petit), Dessins et esquisses peintes par Prud’hon, croquis et études légués par lui à M. de Boisfremont. Vente par suite du décèes de Mme Power, née de Boisfremont. I, April 15-16 1864, of the Collection Boisfremont, 15–16 April, 1864, lot TBD]; [Stephen Mazoh & Co., Inc.. New York, before 2023]; Estate of Stephen Mazoh, 2023-2025; purchased by MFAH, 2025.


[1] Born in Rouen, Charles-Boulanger de Boisfremont was a Knight of Malta and entered the service of the King in 1787. After studying with Descamps, he left for America in 1793 and was successful with producing portraits. He returned to France in the 1800s via Africa and Italy and exhibited at the Salon beginning in 1803 where he became acquainted with Chaudet and Prud’hon. Prud’hon strongly influenced his style and Prud’hon bequeathed him many of the drawings and oil sketches. These works passed to Mrs. Power, born de Boisfremont, and after her death, were dispersed in a two-part sale in 1864 and works bequeathed to his son in 1870.
Exhibition History"Old Masters" The Museum of Fine Arts Houston, May 14-Nov. 16, 2025 [Sixth Installation/Light-Sensitive Rotation: Beck Building 201-8, 210-212,217: No Catalog]
Published References None known for this particular sheet. Inscriptions, Signatures and Marks
Recto: Inscribed in brown ink, bottom right corner: donne par Prud'hon e M. de Boisfremont le jour de sa fete
Recto: Stamped in red ink: Collector's mark of Charles-Boulanger de Boisfremont (Lugt 353)
Catalogue raisonnéEdmond de Goncourt, Catalogue Raisonné de L’Oeuvre peint, dessine et grave de P.P. Prud’hon. Paris: Rapilly, Libraire et Marchand d’Estampes, 1876. (See pp. 295-306).

Cataloguing data may change with further research.

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Untitled
Pierre-Paul Prud'hon
1810
Charcoal pencil and chalk on paper
88.100
Tendresse maternelle (Jeune Femme Assise sur un tonneau avec un petit garçon et un chien) (Maternal Tenderness)
François Boucher
c. 1765
Black chalk with stumping heightened with white chalk on blue laid paper
2016.139
provided by lender
Adolphe Appian
1867 (possibly)
Black chalk with white chalk and stumping on [once] blue wove paper
2017.279
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Pompeo Batoni
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Black chalk with white chalk on blue-gray prepared laid paper
94.1050
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Pompeo Batoni
1765
Black chalk with white chalk on blue-gray prepared laid paper
94.1051
Study of a Male Torso
Jacopo Bassano
mid–late 16th century
Black and white chalk on blue paper
91.1899
Study of a Male Arm
Jacopo Bassano
mid–late 16th century
Black and white chalk on blue paper
91.1897
Study of a Standing Dominican
Giovanni Baglione (called Il Sordo del Barozzo)
c. 1595
Black chalk, heightened with white, on blue laid paper
70.28
Design for the ceiling decoration of the Royal Chapel, Windsor Castle (recto)
Benjamin West
c. 1779
Black chalk, pen and brown ink and watercolor, heightened with touches of white, grey and blue bodycolor and brown wash, on oatmeal paper
2007.1461.A,.B
Two Trees
Odilon Redon
c. 1890
Charcoal and black chalk with scratching, stumping and erasing, sprayed with fixative, on wove paper
72.29
Woodman’s Cottage, Bagley Wood [recto]; Study of Young Oak Trees (Bagley Wood) [verso]
William Turner of Oxford
c. 1830
Watercolor, gouache, and graphite on blue wove paper (recto); graphite with white gouache on blue wove paper (verso) in a washline mount
2024.16.A,.B
Pierre-Paul Prud'hon