Satellite
- Satellite
Other (3 Rods): 23 13/16 × 1 3/16 in. (60.5 × 3 cm)
Other (1 Rod with red paint): 24 × 1 3/16 in. (61 × 3 cm)
Other (5 Bolts): 1 3/16 × 1 15/16 in. (3 × 5 cm)
Other (5 Washers): 2 3/4 in. (7 cm)
Other (4 Lock Washers): 1 15/16 in. (5 cm)
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Simone Leigh represented the United States at the 2022 Venice Biennale, and her monumental sculpture Satellite welcomed visitors to the American Pavilion that summer. A second cast of this bronze now stands in front of the Nancy and Rich Kinder Building at the center of the Museum’s Sarofim campus. Satellite reflects forms found in the traditional D’mba (or nimba) headdresses created by the Baga peoples of Guinea, the ceremonial ladles of the Dan peoples, and vernacular traditions across the African Diaspora. With its evocations of maternity and dignity, the sculpture expresses the artist’s intent to honor the historically undervalued labor – both physical and intellectual – of Black women. “In order to tell the truth,” Leigh has stated, “you need to invent what might be missing from the archive, to collapse time, to concern yourself with issues of scale, to formally move things around in a way that reveals something more true than fact.”
ProvenanceThe artist; [Matthew Marks Gallery, New York]; purchased by MFAH, 2023.
Exhibition History"Simone Leigh: Sovereignty," U.S. Pavilion, Giardini, 59th International Art Exhibition, Venice, April 23–November 27, 2022.
Published References Baumgardner, Julie. “At the Venice Biennale, Simone Leigh Embraces Sovereignty.” Hyperallergic, May 3, 2022. https://hyperallergic.com/728992/at-the-venice-biennale-simone-leigh-embraces-sovereignty/. Greenberger, Alex. “Inside Simone Leigh's Long-Awaited U.S. Pavilion, Where Black Women Take Center Stage.” ARTnews.com, April 20, 2022. https://www.artnews.com/gallery/art-news/photos/simone-leigh-united-states-pavilion-slideshow-1234625741/. Herriman, Kat. “What to See at the Venice Biennale.” W Magazine, April 20, 2022. https://www.wmagazine.com/culture/what-to-see-2022-venice-biennale-main-exhibition-museums-galleries. “In Venice, Simone Leigh Reimagines Colonial Narratives.” The Economist. The Economist Newspaper, May 3, 2022. https://www.economist.com/culture/2022/05/03/in-venice-simone-leigh-reimagines-colonial-narratives. Medvedow, Jill and Eva Respini, Simone Leigh: Sovereign. Venice: U.S. Pavilion at the 59th International Art Exhibition of La Biennale di Venezia, 2022. Mitter, Siddhartha. “Simone Leigh, in the World.” The New York Times, April 14, 2022. https://www.nytimes.com/2022/04/14/arts/design/simone-leigh-venice-biennale-us-pavilion.html. Smee, Sebastian. “A Great Venice Biennale Unfolds, against All the Odds.” The Washington Post, April 22, 2022. https://www.washingtonpost.com/arts-entertainment/2022/04/22/venice-biennale-2022/. Tomkins, Calvin, “The Monumental Success of Simone Leigh,” The New Yorker, March 21, 2022; https://www.newyorker.com/magazine/2022/03/28/the-monumental-success-of-simone-leigh Valentine, Victoria L. “Simone Leigh Opens Much-Anticipated, Historic Exhibition at Venice Biennale, Becomes First Black Female Artist to Present Solo Show in U.S. Pavilion.” Culture Type, April 25, 2022. https://www.culturetype.com/2022/04/23/simone-leigh-opens-much-anticipated-historic-exhibition-at-venice-biennale-becomes-first-black-female-artist-to-present-solo-show-in-u-s-pavilion/. Whyte, Murray. “At the Venice Biennale’s US Pavilion, Simone Leigh Brings Buried Stories to the World.” The Boston Globe, April 21, 2022. https://www.bostonglobe.com/2022/04/21/arts/venice-biennales-us-pavilion-simone-leigh-brings-buried-stories-world/. Inscriptions, Signatures and Marks
Cataloguing data may change with further research.
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