Artist
Comte de CaylusFrench, 1692–1765
Artist
Nicolas Le SueurFrench, 1691–1764
CultureFrench
Titles
- The Egyptian Army drowing in the Red Sea (plate 75)
- Recueil d'estamptes d'après les plus beaux tableaux et d'après les plus beaux dessiens qui sont en France
Date1729–1742
MediumChiaroscuro woodcut printed in blue and green on line etching with engraved inscription printed in black ink on laid paper
DimensionsSheet: 8 3/4 × 14 1/16 in. (22.2 × 35.7 cm)
Credit LineMuseum purchase funded by the Marjorie G. and Evan C. Horning Print Endowment
Object number2022.268
Not on view
Explore Further
Department
Prints and DrawingsObject Type
Exhibition HistoryNone known
Inscriptions, Signatures and Marks
Recto: Inscribed on plate, center bottom edge: LES EGYPTIENS SUBMERGES DANS LA MER ROUGE/Dessein de Jean Francois Penni, dit le Fattor, qui est dans le Cabinet de Mr. Crozat/grave a l’eau forte par Mr le C. de C. et en bois sous sa conduit par Nicolas le Sueur
Recto: Inscribed in ink, bottom right corner: 75
Recto: Inscribed in ink, bottom right corner: 75
Watermark: 18th-century laid paper with letters watermark
Catalogue raisonnéLe Blanc II.543.2 p. 543, Cat. 2; Roux, Marcel. no. 366, p. 113
Cataloguing data may change with further research.
If you have questions about this work of art or the MFAH Online Collection please contact us.
Ludolph Busing
c. 1628–30
Chiaroscuro woodcut from one line block, printed in black ink and one tone block printed in brown ink on laid paper
2022.104
Louis-Marin Bonnet
1769
Pastel-manner engraving printed from eight plates in blue-green, dark-blue, pink-terracotta, brown, carmine, umber, black, and white with additional color printed à la poupée on laid paper, state I/II
2022.246
Andrea Andreani
c. 1593–1599
Chiaroscuro woodcut in light, medium and dark greenish gray, and black inks from four blocks on cream laid paper, state I/I
2013.683
Francisco de Goya
1799
Etching and aquatint printed in grayish-black ink on laid paper with deckle edges, 1st edition
2022.284
Ugo da Carpi
c. 1518
Chiaroscuro woodcut in black and tan on laid paper
2015.394
Hubert Robert
c. 1762
Pen and brown ink and brown wash with white pigment on laid paper, laid down on laid paper with blue (partially faded to green) laid paper border and ruled in black ink
2023.190
Tom Hück
2018–2022
Woodcut, printed recto and verso on four sheets of Japanese Paper using Tom Hück's Outlaw Black Relief Ink by Gamblin and an overleaf printed on black paper with white ink; the three leaves of the triptych connected with printed stickers; edition 19/30
2023.219.A-.C
Jim Hodges
2016
Intaglio (sugar lift, spit bite and drypoint with scraping and burnishing), screenprint in light blue ink, woodcut in dark blue ink and collage of inkjet prints, printed chine collé on Gampi paper, on wove paper, printer's proof 4/4, besides an edition of 28
2017.269
Ando Jubei
1927
Cloisonnée enamel with metal cover and wooden base; pawlonia tomobako with sumi ink inscription and imperial green ribbon
2023.293.A-.D
Franz Marc
1911–1912, printed 1916
Woodcut in in black, blue, and green on Japanese paper
2011.211
Christiane Baumgartner
2018
Woodcut in colors from one block, inked à la poupée in blue, red, pink and orange inks and hand-printed multiple times on Korean Mulberry paper, edition 4/6 (varied)
2018.236
Bartolomeo Coriolano
1637
Chiaroscuro woodcut from three blocks on laid paper, state I/II
85.440