John White Abbott
On Windermere near Low Wood—Evening Light

CultureBritish
Titles
  • On Windermere near Low Wood—Evening Light
DateJuly 16, 1791
Place depictedUnited Kingdom
MediumPen and ink and watercolor over graphite on off-white wove paper, and mount with hand drawn washline border, attached to backboard
DimensionsSheet: 7 3/8 × 9 3/8 in. (18.8 × 23.8 cm)
Credit LineThe Stuart Collection, museum purchase funded by Francita Stuart Koelsch Ulmer in memory of Barbara Ivy Jogerst
Object number2019.192
Not on view

Explore Further

Special Collections
ProvenanceThe artist, 1791; possibly Mark Grant-Sturgis, K.C.B. (1884–1949), until 1938; possibly [Walker’s Gallery, London,1938]; [Thomas Agnew & Sons, London, inv. no. 14336], possibly early 1980s; James Francis Flannery (1929–2005) and Audrey Flannery, St. John’s Wood, London, possibly the late 1970s and 2005; by descent, until 2018; [Karen Taylor Fine Art, 2018–2019]; purchased by MFAH, 2019.
Inscriptions, Signatures and Marks
Verso: Label in pen and ink, attached to backboard, upper right corner: On Winandermere [sic] near Lowwood. / JWA. July 16.1791.

Verso: Inscribed in graphite[?]: Near Low wood July 16/Evening light on the […?] from the Right [missing word may be “birches”] (Inscription is repeated in graphite, in a different hand, slightly lower down and towards the center of the sheet).
Recto: [none]
Verso: signed in ink, upper center of backboard, on mount: JWA. [cursive]
Recto: Label in printed ink, bottom center: Thos. Agnew & Sons. Ltd.. / No. 14336 / Fine Art Publishers to H.M. King George V / London, / 43, Old Bond Street, / Piccadilly, W.
Catalogue raisonnénone
View this object in The Stuart Collection

Cataloguing data may change with further research.

If you have questions about this work of art or the MFAH Online Collection please contact us.

Langdale Pikes from Windermere
John White Abbott
July 11, 1791
Watercolor and pen and ink with graphite on wove paper on artist’s wove paper mount with washline border
2018.234
Port Isaac, Cornwall
Thomas Rowlandson
c. 1790
Watercolor and pen and ink over graphite on wove paper, laid down on artist's mount with washline border
2018.233
Sintflut (The Flood)
Hermann Wöhler
c. 1925-1929
Pen and black ink, with a border drawn in pen and black ink, on thick, textured wove paper
2021.299
Woodman’s Cottage, Bagley Wood [recto]; Study of Young Oak Trees (Bagley Wood) [verso]
William Turner of Oxford
c. 1830
Watercolor, gouache, and graphite on blue wove paper (recto); graphite with white gouache on blue wove paper (verso) in a washline mount
2024.16.A,.B
Marjamshausen
Paul Klee
1928
Watercolor and gouache over graphite on wove paper, on artist's paper board mount with pen and ink
39.111
London and the Thames from Greenwich
John Robert Cozens
c. 1792
Watercolor over graphite on laid paper, laid down on artist's washline mount
2016.345
Drawing for Plank Cabinet 8
Andrea Branzi
2014
Collage of cut papers with pen and ink, fiber-tipped pen and pastel over traces of graphite on gray wove paper
2017.212
Figure
Victor Brauner
1948
Pen and ink on off-white wove paper
2022.301
A Waterfall at Cynwyd, near Corwen, North Wales
Edward Dayes
c. mid-1790s
Blue and gray wash over graphite on wove paper, laid down on artist's washline mount
2021.551
Drawing for Plank Cabinet 1
Andrea Branzi
2014
Collage of gray and white cut papers with pastel, pen and ink, and fiber-tipped pen over traces of graphite on gray wove paper
2017.209
Stage Design for Balanchine's "Liebesträume"
Frederic Stafford
c. 1931
Watercolor, pen and ink, color pencil, gouache with gold over graphite and blue ballpoint pen on wove paper
95.254
Effects of Sunlight, St. Peter's Colonnades
Hubert Robert
c. 1762
Pen and brown ink and brown wash with white pigment on laid paper, laid down on laid paper with blue (partially faded to green) laid paper border and ruled in black ink
2023.190