John Ruskin
Between Verona and Vicenza, Stopping at the Railroad

Between Verona and Vicenza, Stopping at the Railroad

Public Domain

Between Verona and Vicenza, Stopping at the Railroad
ArtistBritish, 1819–1900
CultureBritish
Titles
  • Between Verona and Vicenza, Stopping at the Railroad
DateFebruary 24, 1852
Place depictedItaly
MediumWatercolor and graphite on wove paper
DimensionsSheet: 7 7/8 × 15 1/16 in. (20 × 38.2 cm)
Credit LineThe Stuart Collection, museum purchase funded by Francita Stuart Koelsch Ulmer in memory of Emily Fairfax Coates, and her father, Francis Graham Coates
Object number2019.16
Not on view

Explore Further

Special Collections
ProvenanceSir. John Simon (1816–1904); [his sale, Messrs Trollope London, By order of the Executors of Sir John Simon. K.C.B., deceased, 40 Kensington Square, W. . . . The Contents of the Residence…including a number of water-colour drawings, by J. Ruskin . . . Etc, November 16, 1904, lot 211 (as Study of Sky and outlines of Hills from railway between Verona and Vicenza); Sir Hugh Gilzean Reid (1835–1911); Anne Elizabeth Dundas (1830–1913); by inheritance within the Dundas family; [Sotheby’s, New York, January 30, 2019, lot 161]; purchased by MFAH, 2019.
Inscriptions, Signatures and Marks
Recto: Inscribed and dated in ink, bottom left corner: Between Verona + Vicenza / Stopping in railroad - Feb. 24th 1852
Recto: Inscribed in graphite (erased), lower left: J Ruskin
Verso: Inscribed in graphite, lower left: illegible [cursive] 2
none noted
Catalogue raisonnénone known
View this object in The Stuart Collection

Cataloguing data may change with further research.

If you have questions about this work of art or the MFAH Online Collection please contact us.

Sketchbook
George Romney
September 1783
Book with pen and sepia ink, brush and sepia wash, black chalk and graphite on laid paper
78.187
The Iron Steamer Harlan, Running between New Orleans and Galveston
Henry William Frackmann
1866
Watercolor and ink over graphite on wove paper
B.2008.1
Sin título
Rafael Barradas
early 20th century
Recto: Graphite and watercolor on wove paper Verso: Graphite on wove paper
2016.98
Woodman’s Cottage, Bagley Wood [recto]; Study of Young Oak Trees (Bagley Wood) [verso]
William Turner of Oxford
c. 1830
Watercolor, gouache, and graphite on blue wove paper (recto); graphite with white gouache on blue wove paper (verso) in a washline mount
2024.16.A,.B
Ball-headed Club
c. late 18th century
Wood with brass nails
2020.149
Women IV
Alexander Archipenko
c. 1921–1923
Watercolor and graphite on wove paper
2009.1340
Study for "Kraft-Versus-Host-Reaction" Brooch
Manfred Bischoff
1986
Graphite, watercolor, gouache and metallic paint on wove paper
2002.3630
Craig Lesser
1989
Watercolor, gouache, graphite, and ink on wove paper
90.479
Women IX
Alexander Archipenko
c. 1921–1923
Watercolor and graphite on wove paper
2009.1345
Women X
Alexander Archipenko
c. 1921–1923
Watercolor and graphite on wove paper
2009.1346
Women XI
Alexander Archipenko
c. 1921–1923
Watercolor and graphite on wove paper
2009.1347