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CultureAmerican
Titles
  • [Copy of a Painted Portrait]
Date1850–1852
MediumDaguerreotype with applied color in leather case
DimensionsImage: 7 5/16 × 5 5/16 in. (18.6 × 13.5 cm)
Closed (Case): 9 × 7 3/16 × 13/16 in. (22.9 × 18.3 × 2.1 cm)
Open (Case): 9 × 14 3/16 × 9/16 in. (22.9 × 36.1 × 1.5 cm)
Credit LineMuseum purchase funded by the S. I. Morris Photography Endowment
Object number2015.404
Not on view

Explore Further

Department
Photography
Object Type
DescriptionWhitehurst was a successful and prolific daguerreotypist, largely in the South, establishing studios in Baltimore and Washington, through Virginia and into North Carolina. This work is a hand-colored daguerreotype of a painted portrait, and as such it tells a part of the story of photography’s role in the life of images: though each daguerreotype was one of a kind, the medium was capable of making accurate copies of a preexisting image so that many people could share it, just as today one might make copies of an ancestor’s photograph for many members of the family. With its presentation in a brass mat and leather case, just as one would see on a true daguerreotype portrait, and with the touches of reddish pigment enlivening the face, this image is momentarily convincing as a photographic image of a living person. In a postmodern age of appropriation—images of images—this work prompts us to question the nature of representation.
Provenance[Helder Costa, Arlington, Massachusetts,1982]; purchased by MFAH, 2015.
Inscriptions, Signatures and Marks
Incised, recto, bottom center of brass mat: WHITEHURST // COPY

Embossed in velvet lining of Daguerreotype case: J.H.WHITEHURST GALLERIES // WASHINGTON D.C. // BALTIMORE // RICHMOND // NORFOLK // PETERSBURG // & LYNCHBURG

Cataloguing data may change with further research.

If you have questions about this work of art or the MFAH Online Collection please contact us.

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