Samuel Stillman Osgood
David Crockett

PublisherPhiladelphia, 1833–1835
CultureAmerican
Titles
  • David Crockett
Datec. 1835
MediumLithograph printed on chine collé on white wove paper
DimensionsImage: 8 7/16 × 7 3/16 in. (21.4 × 18.3 cm)
Sheet: 11 3/4 × 8 1/2 in. (29.8 × 21.6 cm)
Credit LineThe Bayou Bend Collection, museum purchase funded by Pat and Dee Osborne in memory of Miss Hogg’s longtime assistant, Jane Zivley, at "One Great Night in November, 2014"
Object numberB.2014.9
Not on view

Explore Further

Department
Bayou Bend
Object Type
DescriptionThis lithograph of Davy Crockett (1786–1836) was made after a painting by Samuel Osgood that was destroyed in the Texas capitol fire of 1881. Crockett had been impressed by Osgood’s portrait of Henry Clay, who was appointed Secretary of State by President John Quincy Adams in 1825. Several years later, Crockett agreed to have his portrait made by the same artist. Between 1833 and 1834, Crockett sat for at least six portraits by five different artists, but was most satisfied by Osgood’s likeness. Crockett served in both the Tennessee General Assembly and the United States Congress before his service in the Texas Revolution and ultimate demise in the Battle of the Alamo.
ProvenanceUnknown collection; [Old Print Shop, New York] as of 2014; purchased by MFAH, October 2014.
Inscriptions, Signatures and Marks
Recto: Inscribed in printed ink, below image, left: Painted by S.S. Osgood.
Recto: Inscribed in printed ink, below image, center: On Stone.
Recto: Inscribed in printed ink, below image, right: Childs & Lehman Lithrs., Philadelphia.
Recto: Inscribed in printed ink, below image, center bottom edge: DAVID CROCKETT.
Recto: Inscribed in printed ink, below chine collé on white wove sheet, center: I am happy to acknowledge this to be / the only correct likeness that has been / taken of me. David Crockett. [cursive, lithographic facsimile]

Cataloguing data may change with further research.

If you have questions about this work of art or the MFAH Online Collection please contact us.

Nancy Graves
1990
Lithograph in colors, printed chine collé, on white wove paper and cast paper collage from pulp with gold leaf, artist's proof 4/10
2016.88
Catching Rabbits
Alphonse Léon Noël
1850
Lithograph, printed chine collé, on wove paper
B.2013.28
Le Bon Samaritan (The Good Samaritan)
Rodolphe Bresdin
1861
Lithograph, printed chine collé, on yellow wove paper and gray wove paper; mounted on wove paper, third printing on two chine, edition of 175
2018.129
Beer Garden
Nicole Eisenman
2012–2017
Etching, drypoint, aquatint (spit bite, white ground, sugarlift, and flat etch), with scraping and polishing, printed chine collé on gampi and wove paper, edition 5/15
2019.11
Stump Speaking
Louis-Adolphe Gautier
1856
Stipple engraving and etching, printed chine collé, on wove paper, proof before lettering
B.2013.9
LIFE
Ellen Lesperance
2020
Lithograph in 9 colors printed chine collé on wove paper with Kozo paper and silver leaf with ribbons, edition 4/15
2021.542
Who Killed Karen Silkwood?
Ellen Lesperance
2020
Lithograph in colors printed with chine collé and hand-knitted element with silk wool and silver leaf safety pin on wove paper, edition 4/15
2021.543
The Final Path of Feminye
Ellen Lesperance
2020
Lithograph in colors printed chine collé on wove paper, edition 4/20
2021.541
Yellow Man's Revenge
Terry Allen
1971
Lithograph, printed chine collé, on wove paper with punch holes
2022.92
Parsifal: The Invocation of Kudry
Henri Fantin-Latour
1886
Transfer lithograph with scraping, printed chine collé, on wove paper
74.336
Flowers in Window
Yasuo Kuniyoshi
1928
Lithograph, printed chine-collé, on wove paper, edition 22/26
39.64
White Factory
Niles Spencer
1928
Lithograph, printed chine collé, on wove paper
39.69