Andrew Dasburg
Taos Landscape

Taos Landscape
Taos Landscape
ArtistAmerican, 1887–1979
CultureAmerican
Titles
  • Taos Landscape
  • Untitled
Date1933
Place depictedTaos, New Mexico, United States
MediumWatercolor over graphite on wove paper [double-sided]
DimensionsSheet: 15 1/4 × 22 in. (38.7 × 55.9 cm)
Frame: 24 1/4 × 30 7/8 × 3/4 in. (61.6 × 78.4 × 1.9 cm)
Credit LineThe Alice C. Simkins Collection, gift of Alice C. Simkins and museum purchase funded by the Caroline Wiess Law Accessions Endowment
Object number2016.308.A,.B
Not on view

Explore Further

Description

A native New Yorker, Andrew Dasburg made his first visit to the Southwest in early 1918. He described his first impressions of the New Mexico landscape: “In the hard transparency of sky were fractured stretches of clouds, their shape vanishing into the blue, while over the distant ranges was a turbulence of clouds in storm tearing against the peaks.”

Dasburg soon made New Mexico his home, and "Taos Landscape" dramatically captures the vivid panoramas he admired so ardently. Beams of light pour from the sky while a distant mountain crests at the center of the horizon line. For Dasburg, these complementary forces of nature were inevitably locked together, becoming “the two considerations fundamental to the understanding of rhythm. One is the force of gravity, the other, the upward impulse of living things.”


ProvenanceThe artist; [Christie’s East, New York, December 3, 1996]; Private collection, California; [The Gerald Peters Gallery, Santa Fe, New Mexico]; The Alice C. Simkins Collection, San Antonio, August 23, 1997; to MFAH, 2016.
Exhibition History"Santa Fe Connections: John Sloan and Others," Kraushaar Galleries, New York, May 1–June 6, 1997 (Catalogue)

"American Modern: Works from the Collection of Alice C. Simkins," The Museum of Fine Arts, Houston, April 15–July 19, 2015.

Inscriptions, Signatures and Marks
Recto: Signed and dated in graphite, lower center: Dasburg '33
Verso: Inscribed in graphite, center bottom edge: 3962 / mount [cursive]
Recto: Signed and dated in graphite, lower center: Dasburg '33
Verso: [none]
Recto: [none]
Verso: [none]

Cataloguing data may change with further research.

If you have questions about this work of art or the MFAH Online Collection please contact us.

Studies of Profiles, Hands
Jean Cocteau
Mid-20th century
Graphite on off-white laid paper, double-sided
2022.300
Studies for L'Empire des Lumieres
René Magritte
1960
Ball-point pen on ivory wove paper, double sided
2022.297
Landscape with a Farmhouse and a Peasant Wheeling a Barrow
Léon Bonvin
1865
Watercolor heightened with gouache, pen and sepia-toned ink over graphite with stumping on wove paper
96.729
The Olson Farm
Andrew Wyeth
no date
Watercolor over graphite on wove paper
46.4
Tree Forms Bermuda
Charles Demuth
1916
Watercolor over graphite on wove paper
2016.315.A,.B
Stage Design for Balanchine's "Liebesträume"
Frederic Stafford
c. 1931
Watercolor, pen and ink, color pencil, gouache with gold over graphite and blue ballpoint pen on wove paper
95.254
Looking Towards Inveraray Castle, Loch Fyne, Argyll
William Callow
September 27, 1849
Watercolor over graphite on cream wove paper
2023.501
Overall recto.
Andrew Raftery
2023
Graphite and ink wash over lithograph on wove paper
2024.20
Woodman’s Cottage, Bagley Wood [recto]; Study of Young Oak Trees (Bagley Wood) [verso]
William Turner of Oxford
c. 1830
Watercolor, gouache, and graphite on blue wove paper (recto); graphite with white gouache on blue wove paper (verso) in a washline mount
2024.16.A,.B
Taos Pueblo
Arnold Rönnebeck
c. 1925
Graphite on wove paper
2023.442
Karl's Room
Andrew Wyeth
1954
Watercolor, gouache, and graphite on wove paper
55.3
Landscape at Sunset [recto]; Study of a Pig [verso]
James Ward
c. 1820
Watercolor on two sheets of wove paper, mounted to thick wove paper
2024.17