sliderarrowCloseMenushare_facebookshare_instagramshare_xshare_linkedinshare_threadsshare_shareshare_tranditionalshare_calendarshare_emailicon_threadsconnect_facebookconnect_instagramconnect_xconnect_youtubeconnect_atbtn_arrowhamburger-x
Skip to main content
Collections Menu
CultureAmerican
Titles
  • Armchair
Datec. 1750–1780
Made inPhiladelphia, Pennsylvania, United States
MediumMahogany; eastern white pine
Dimensions42 3/4 × 30 1/2 × 23 1/4 in. (108.6 × 77.5 × 59.1 cm)
Credit LineThe Bayou Bend Collection, gift of Miss Ima Hogg
Object numberB.69.2
Current Location
Bayou Bend Collection and Gardens
Drawing Room
On view

Explore Further

Department
Bayou Bend
Object Type
Description

This masterful armchair reflects the maturity of the Late Baroque yet, with its carved acanthus knees, foliate, strapwork banister, and naturalistic shell topping the crest rail, it is fully conversant with Rococo taste. This unusual configuration may represent the brief period of transition between the Late Baroque and Rococo, or perhaps it is a design that never realized widespread popularity.

Technical notes: Mahogany; eastern white pine (slip seat). The interior front seat rail is bowed and its lip is applied. The seat rails are tenoned through the stiles. The rear seat rail is not nearly as deep as the shoe. The inside of the front and rear seat rails is carved I. An illegible inscription is on the slip seat frame. Luke Beckerdite comments that the carving imitates the body of the work he has assigned to the same hand that carved the great Philadelphia high chest in the Garvan Collection at Yale (Ward 1988, pp. 280–83, no. 147), referring to the unknown craftsman as the “Garvan carver.”

Related examples: Most closely related is Heckscher 1985, pp. 90–92, no. 45. A side chair with related carving is in Downs 1952, no. 115. Wallace Nutting offered a reproduction of this armchair in Antiques 36 (November 1939), p. 214.

Book excerpt: David B. Warren, Michael K. Brown, Elizabeth Ann Coleman, and Emily Ballew Neff. American Decorative Arts and Paintings in the Bayou Bend Collection. Houston: Princeton Univ. Press, 1998.


Provenance[Ginsburg & Levy, New York, by 1954]; purchased by Miss Ima Hogg, July 21, 1954; given to MFAH, by 1969.
Exhibition History
Published References The Magazine Antiques 41 (April 1942), p. 234; A Century of American Chairs: 1720−1820, exh. cat. New York: Ginsburg and Levy, 1942, no. 7; Connoisseur 133 (May 1954), p. 195; The Magazine Antiques 66 (August 1954), p. 87; Ramsey, L.G.G., ed. The Concise Encyclopedia of Antiques, 5 vols. New York: Hawthorn Books, 1954, vol. 1, pl. 39B; Comstock, Helen. American Furniture, Seventeenth, Eighteenth, and Nineteenth Century Styles. New York: Viking Press, 1962, no, 149; Warren, David B. ‘‘American Decorative Arts in Texas: The Bayou Bend Collection of the Museum of Fine Arts of Houston.” The Magazine Antiques 90 (December 1966), p. 805; Warren, David B. “A Great Texas Collection of Americana: The Bayou Bend Collection at the Museum of Fine Arts, Houston.” The Connoisseur 178 (September 1971), p. 42, no. 10; Warren, David B. Bayou Bend: American Furniture, Paintings and Silver from the Bayou Bend Collection. Houston: Museum of Fine Arts, Houston; Boston: New York Graphic Society, 1975, p. 27, no. 49; Warren, David B. Bayou Bend: The Interiors and the Gardens. Houston: Museum of Fine Arts, Houston, 1988, pp. 26−27; Marzio, Peter C., et al. A Permanent Legacy: 150 Works from the Collection of the Museum of Fine Arts, Houston. Houston: Museum of Fine Arts, Houston, 1989, pp. 236–37. Inscriptions, Signatures and Marks
Illegibile inscription on slip-seat frame
Carved inside front and rear seat rails: I

Cataloguing data may change with further research.

If you have questions about this work of art or the MFAH Online Collection please contact us.

Card Table
Unknown American
c. 1820–1830
Grained, painted, and gilded mahogany, and birch; mahogany veneer on eastern white pine with black walnut banding, ash, eastern white pine, cherry, and original brass casters
B.68.31
Armchair
Unknown American
c. 1790–1800
Eastern white pine, soft maple, white oak, mahogany, and ash. Old but not original green paint.
B.69.411
Gentleman's Secretary
Unknown American
c. 1790–1820
Mahogany, eastern white pine, soft maple, and unidentified inlay; birch, yellow-poplar, and eastern white pine
B.61.94
Armchair
Unknown American
c. 1785–1820
Mahogany; ash, eastern white pine, and sweetgum
B.69.384
Armchair
Unknown American
c. 1785–1820
Mahogany; eastern white pine, ash, red oak, sweetgum, and black cherry
B.60.37.1
Armchair
Unknown American
c. 1785–1820
Mahogany; eastern white pine, ash, red oak, sweetgum, and black cherry
B.60.37.5
Sofa
Unknown American
c. 1750–1801
Mahogany; red oak, yellow-poplar, southern yellow pine, white oak, and eastern white pine
B.59.73
Tall Clock
Unknown American
c. 1765–1785
Mahogany; chestnut, white oak, black cherry, eastern white pine, southern yellow pine, and cherry
B.59.83
Worktable
Unknown American
c. 1800–1830
Mahogany; mahogany, northern white cedar, and eastern white pine
B.61.97
Worktable
Unknown American
c. 1800–1820
Mahogany and mahogany veneer; eastern white pine, mahogany, and hard maple
B.69.383
scan from file photograph
Unknown American
c. 1815–1825
Mahogany, mahogany veneer, and yellow-poplar; eastern white pine, mahogany, paint, and gilt
B.67.31
Sofa Table
Unknown American
c. 1815–1825
Mahogany, mahogany veneer; eastern white pine, yellow poplar, cherry, and mahogany
B.71.106
Unknown American