Simon Norfolk
Path leading up to the mass grave at the site at Cmi Vrh

cropped recto of sheet

© Simon Norfolk / Gallery Luisotti

Path leading up to the mass grave at the site at Cmi Vrh
cropped recto of sheet
ArtistBritish, born Nigeria, 1963
CultureBritish
Titles
  • Path leading up to the mass grave at the site at Cmi Vrh
  • from the series Bosnia: Bleed
Date2004–2005, printed September 2010
Place depictedBosnia and Herzegovina
MediumChromogenic print
DimensionsImage: 19 3/16 × 24 in. (48.7 × 61 cm)
 Sheet: 23 × 27 7/8 in. (58.4 × 70.8 cm)
Credit LineGift of Philip Greider
Object number2014.899
Not on view

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Department
Photography
Object Type
ProvenanceThe artist; [Gallery Luisotti, Santa Monica, California]; purchased by Philip Greider, Los Angeles, 2010; given to MFAH, 2014.
Inscriptions, Signatures and Marks
Inscribed in ink on verso lower right: 15-Sept-10
Stamped in a rectangle on verso lower right with additional marks in ink: printed under my direct supervision / archival digital c-type print / [signature] / fecit / edition number 1/10

Cataloguing data may change with further research.

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cropped recto of sheet
Simon Norfolk
Cmi Vrh, untitled No. 6
2004–2005, printed 2010
Chromogenic print
2014.898
cropped recto of sheet
Simon Norfolk
Where the river that flows through the Kamenica Valley meets the Drina. There may be 13 mass grave sites in the Kamenica Valley
2004–2005, printed September 2010
Chromogenic print
2014.900
The Sham-e-Paris (‘Parisian Evenings’) wedding hall in the Taymani neighbourhood. Common in Pakistan, these huge wedding complexes have sprung up all over Kabul with dining and entertainment halls to seat a thousand on each storey and even an on-site honeymoon hotel.
Simon Norfolk
The Sham-e-Paris (‘Parisian Evenings’) wedding hall in the Taymani neighbourhood. Common in Pakistan, these huge wedding complexes have sprung up all over Kabul with dining and entertainment halls to seat a thousand on each storey and even an on-site honeymoon hotel.
2010–2011, printed September 2011
Chromogenic print
2016.224.13
The districts of Wazir Akbar Khan and Sherpur, home to all the NGOs and contractors, occupy the site of the former British fortress from the Second Anglo-Afghan War, ‘the Cantonment’. Glitzy, kitschy ‘poppy-palaces’, flung up in a hectic property boom after the land was illegally re-possessed from squatters, can command rents of $20,000 per week when leased out to Internationals.
Simon Norfolk
The districts of Wazir Akbar Khan and Sherpur, home to all the NGOs and contractors, occupy the site of the former British fortress from the Second Anglo-Afghan War, ‘the Cantonment’. Glitzy, kitschy ‘poppy-palaces’, flung up in a hectic property boom after the land was illegally re-possessed from squatters, can command rents of $20,000 per week when leased out to Internationals.
2010–2011, printed September 2011
Chromogenic print
2016.224.22
An entrepreneur creates a roadside tea stall at the busy Saraj-e Shomali traffic junction. Above him are adverts for banks; a ‘win a free car’ offer from a mobile phone company and the grave of a shahid or martyr.
Simon Norfolk
An entrepreneur creates a roadside tea stall at the busy Saraj-e Shomali traffic junction. Above him are adverts for banks; a ‘win a free car’ offer from a mobile phone company and the grave of a shahid or martyr.
2010–2011, printed September 2011
Chromogenic print
2016.224.32
Shah-do-Shamshira Mosque was built in the 1920s on the site of one of Kabul’s first mosques, the Mosque of the King with Two Swords, named in honour of an early Muslim king who died fighting Hindu invaders.
Simon Norfolk
Shah-do-Shamshira Mosque was built in the 1920s on the site of one of Kabul’s first mosques, the Mosque of the King with Two Swords, named in honour of an early Muslim king who died fighting Hindu invaders.
2010–2011, printed September 2011
Chromogenic print
2016.224.5
‘Radio TV Mountain’ in the centre of Kabul seen from where the Kabul River cuts through the mountains creating the Deh Mazang gorge. In the First Anglo-Afghan War it was the site of a crucial skirmish and hasty retreat by badly outnumbered British cavalry who had blundered into the midst of a massive Afghan army.
Simon Norfolk
‘Radio TV Mountain’ in the centre of Kabul seen from where the Kabul River cuts through the mountains creating the Deh Mazang gorge. In the First Anglo-Afghan War it was the site of a crucial skirmish and hasty retreat by badly outnumbered British cavalry who had blundered into the midst of a massive Afghan army.
2010–2011, printed September 2011
Chromogenic print
2016.224.3
The peripheries of the city of Kabul, especially to the north and east are endless building sites. Since most of the documentation concerning land title was lost during the war, much of this speculative and illegal construction is concerned more with establishing undisputable ‘facts on the ground’. Apartments and shops are, almost exclusively, unoccupied.
Simon Norfolk
The peripheries of the city of Kabul, especially to the north and east are endless building sites. Since most of the documentation concerning land title was lost during the war, much of this speculative and illegal construction is concerned more with establishing undisputable ‘facts on the ground’. Apartments and shops are, almost exclusively, unoccupied.
2010–2011, printed September 2011
Chromogenic print
2016.224.24
Historically, Kuchis were strongly pro-Taliban; feelings made more intense by being bombed by NATO off their traditional grazing lands in Helmand. They are allowed to set up camp here on Kabul’s periphery only because it is below a large, new Afghan Army base.
Simon Norfolk
Historically, Kuchis were strongly pro-Taliban; feelings made more intense by being bombed by NATO off their traditional grazing lands in Helmand. They are allowed to set up camp here on Kabul’s periphery only because it is below a large, new Afghan Army base.
2010–2011, printed September 2011
Chromogenic print
2016.224.46
‘The Museum of the Jihad’, Herat. A diorama illustrating the city rising up against the Soviets.
Simon Norfolk
‘The Museum of the Jihad’, Herat. A diorama illustrating the city rising up against the Soviets.
2010–2011, printed September 2011
Chromogenic print
2016.224.96
Young women in the indoor skatepark of the NGO ‘Skateistan’, set up by American volunteers to help young Afghans improve their skateboarding and indoor rock-climbing skills.
Simon Norfolk
Young women in the indoor skatepark of the NGO ‘Skateistan’, set up by American volunteers to help young Afghans improve their skateboarding and indoor rock-climbing skills.
2010–2011, printed September 2011
Chromogenic print
2016.224.61
Some of the astonishing new architecture mushrooming up in cities all over Afghanistan. Part Disney, part wedding cake; inspired by Bollywood but reverential to Greek classicism; it represents an architectless kind of architecture.
Simon Norfolk
Some of the astonishing new architecture mushrooming up in cities all over Afghanistan. Part Disney, part wedding cake; inspired by Bollywood but reverential to Greek classicism; it represents an architectless kind of architecture.
2010–2011, printed September 2011
Chromogenic print
2016.224.36