Simon Norfolk
The peripheries of the city of Kabul, especially to the north and east are endless building sites. Since most of the documentation concerning land title was lost during the war, much of this speculative and illegal construction is concerned more with establishing undisputable ‘facts on the ground’. Apartments and shops are, almost exclusively, unoccupied.

The peripheries of the city of Kabul, especially to the north and east are endless building sites. Since most of the documentation concerning land title was lost during the war, much of this speculative and illegal construction is concerned more with establishing undisputable ‘facts on the ground’. Apartments and shops are, almost exclusively, unoccupied.

© Simon Norfolk / Gallery Luisotti

The peripheries of the city of Kabul, especially to the north and east are endless building sites. Since most of the documentation concerning land title was lost during the war, much of this speculative and illegal construction is concerned more with establishing undisputable ‘facts on the ground’. Apartments and shops are, almost exclusively, unoccupied.
The peripheries of the city of Kabul, especially to the north and east are endless building sites. Since most of the documentation concerning land title was lost during the war, much of this speculative and illegal construction is concerned more with establishing undisputable ‘facts on the ground’. Apartments and shops are, almost exclusively, unoccupied.
ArtistBritish, born Nigeria, 1963
CultureBritish
Titles
  • The peripheries of the city of Kabul, especially to the north and east are endless building sites. Since most of the documentation concerning land title was lost during the war, much of this speculative and illegal construction is concerned more with establishing undisputable ‘facts on the ground’. Apartments and shops are, almost exclusively, unoccupied.
  • from the portfolio Burke + Norfolk: Photographs from the War in Afghanistan
Date2010–2011, printed September 2011
Place depictedKabul, Afghanistan
MediumChromogenic print
DimensionsImage: 14 1/2 × 19 1/4 in. (36.8 × 48.9 cm)
 Sheet: 15 × 20 in. (38.1 × 50.8 cm)
Credit LineGift of Morris Weiner
Object number2016.224.24
Not on view

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Department
Photography
Object Type
ProvenanceThe artist; [Gallery Luisotti, Santa Monica, California]; purchased by Morris Weiner, Houston, 2012; given to MFAH, 2016.
Inscriptions, Signatures and Marks
Stamped in black ink, verso, lower right: Burke + Norfolk // Photographs from the war in Afghanistan // by John Burke and Simon Norfolk // Printed by Simon Norfolk, September 2011 // An archival, digital, chromogenic print on Fujicolor Crystal Archive // Photograph by Simon Norfolk [signed in pencil over a stamped underline] // One of 104 prints in a Burke + Norfolk portfolio special edition // Edition number 1 of eight [1 is handwritten in pencil over a stamped underline]
Norfolk prints are signed and numbered on verso lower right, within artist's stamp

Cataloguing data may change with further research.

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Unfinished, speculative property development near Kabul Airport.
Simon Norfolk
Unfinished, speculative property development near Kabul Airport.
2010–2011, printed September 2011
Chromogenic print
2016.224.30
The seemingly endless number of helicopter pads and hangars at Camp Bastion.
Simon Norfolk
The seemingly endless number of helicopter pads and hangars at Camp Bastion.
2010–2011, printed September 2011
Chromogenic print
2016.224.92
Historically, Kuchis were strongly pro-Taliban; feelings made more intense by being bombed by NATO off their traditional grazing lands in Helmand. They are allowed to set up camp here on Kabul’s periphery only because it is below a large, new Afghan Army base.
Simon Norfolk
Historically, Kuchis were strongly pro-Taliban; feelings made more intense by being bombed by NATO off their traditional grazing lands in Helmand. They are allowed to set up camp here on Kabul’s periphery only because it is below a large, new Afghan Army base.
2010–2011, printed September 2011
Chromogenic print
2016.224.46
Wasteland at the back of shops used as stabling for draft horses. In the distance is the Bala Hissar citadel, now home to an Afghan Army base and mooring for one of the American blimps that carry electronic surveillance gear and cameras.
Simon Norfolk
Wasteland at the back of shops used as stabling for draft horses. In the distance is the Bala Hissar citadel, now home to an Afghan Army base and mooring for one of the American blimps that carry electronic surveillance gear and cameras.
2010–2011, printed September 2011
Chromogenic print
2016.224.10
Some of the palletized, instant-build accommodation blocks at Camp Leatherneck, Helmand.
Simon Norfolk
Some of the palletized, instant-build accommodation blocks at Camp Leatherneck, Helmand.
2010–2011, printed September 2011
Chromogenic print
2016.224.100
The ‘Residency’. From outside of Bala Hissar.
John Burke
The ‘Residency’. From outside of Bala Hissar.
1878–1880, printed September 2011
Chromogenic print
2016.224.101
Ali Musjid and Camp from Sultan Tarra.
John Burke
Ali Musjid and Camp from Sultan Tarra.
1878, printed September 2011
Chromogenic print
2016.224.98
Pakistani ‘jingle trucks’ end their long journey up from Karachi at the gates of Kandahar Airfield where they wait to be scanned, X-rayed and searched. Only people, ammunition and emergency requirements come by aircraft. Warlord-owned security companies protecting convoys can charge $15,000 per truck, but a large part of the fee is paid to Taliban protection rackets.
Simon Norfolk
Pakistani ‘jingle trucks’ end their long journey up from Karachi at the gates of Kandahar Airfield where they wait to be scanned, X-rayed and searched. Only people, ammunition and emergency requirements come by aircraft. Warlord-owned security companies protecting convoys can charge $15,000 per truck, but a large part of the fee is paid to Taliban protection rackets.
2010–2011, printed September 2011
Chromogenic print
2016.224.77
A shelter against rocket and mortar attack, Camp Leatherneck, Helmand.
Simon Norfolk
A shelter against rocket and mortar attack, Camp Leatherneck, Helmand.
2010–2011, printed September 2011
Chromogenic print
2016.224.104
Waiting for a helicopter, Camp Bastion, Helmand.
Simon Norfolk
Waiting for a helicopter, Camp Bastion, Helmand.
2010–2011, printed September 2011
Chromogenic print
2016.224.102
Preparations for a sexy dancing and comedy show organized by the Morale, Welfare and Recreation unit at Camp Leatherneck.
Simon Norfolk
Preparations for a sexy dancing and comedy show organized by the Morale, Welfare and Recreation unit at Camp Leatherneck.
2010–2011, printed September 2011
Chromogenic print
2016.224.103
Shah-do-Shamshira Mosque was built in the 1920s on the site of one of Kabul’s first mosques, the Mosque of the King with Two Swords, named in honour of an early Muslim king who died fighting Hindu invaders.
Simon Norfolk
Shah-do-Shamshira Mosque was built in the 1920s on the site of one of Kabul’s first mosques, the Mosque of the King with Two Swords, named in honour of an early Muslim king who died fighting Hindu invaders.
2010–2011, printed September 2011
Chromogenic print
2016.224.5