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CultureIndian
Titles
  • Sarasvati
Date6th century
Made inIndia
MediumSandstone
DimensionsOverall: 33 1/8 × 24 1/2 × 7 3/4 in. (84.2 × 62.2 × 19.7 cm)
Credit LineMuseum purchase funded by "One Great Night in November, 2004"; "Polo in India: A Great Tradition," with funds from Sesh and Prabha Bala, Dr. and Mrs. A. P. Raghuthaman, Mr. and Mrs. Ashok Rao; the Friends of Asian Art, with funds from Mr. and Mrs. Edward R. Allen III, Mr. and Mrs. Louis Daly, Mr. and Mrs. John Goodman, Dr. and Mrs. Ninan Mathew, Drs. Usha and Kumara Peddamatham, Isabel B. and Wallace S. Wilson, and the Caroline Wiess Law Foundation; and additional funds from Terry Huffington and Ralph Ernest Dittman, Dr. and Mrs. Peter Sullivan, and Mr. and Mrs. Gordon E. Nicklos, by exchange
Object number2004.1661
Current Location
The Caroline Wiess Law Building
106M Lovett Gallery
Exposé

Explore Further

Department
Asian Art
Object Type
Description

Sarasvati is the Hindu goddess of learning and the arts. She is the consort of Brahma, the god of creation and source of all knowledge. Because Brahma created Sarasvati from his own flesh and blood, she is often regarded as the embodiment of knowledge and creativity. 


This sandstone representation draws attention to Sarasvati's importance as the divine patron of the arts. As in many depictions, she is seen here seated upon a sacred lotus blossom, the symbol of supreme knowledge and spiritual truth. An avid musician, Sarasvati is shown playing a musical instrument called a veena. The neck and base of the veena can still be seen on this figure, though the body of the instrument is no longer intact. 


Sarasvati is depicted with a serene smile as she sways gently to the music. Her attendants dance around her, one accompanying Sarasvati on a flute and another on a small drum. Because of Sarasvati's importance in all things intellectual and artistic, many students, scholars, poets, musicians, painters, and sculptors look to her for guidance and support.


 


ProvenanceResearch Ongoing
Exhibition History"The Sensuous Immortals: A Selection of Sculptures from the Pan-Asian Collection," Pratapaditya Pal, Los Angeles County Museum of Art, 1977. Distrubuted by MIT press, Cambridge, Massachusetts. Reproduced on p. 40.

Cataloguing data may change with further research.

If you have questions about this work of art or the MFAH Online Collection please contact us.

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late 20th century
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10th-11th century
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99.310
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Frederick William MacMonnies
1889–90 (this version cast in 1917)
Bronze, lost-wax cast
98.251
Unknown Indian