Pablo Picasso
Tête de face. Portrait de Marie-Thérèse de face (Portrait of Marie-Thérèse, Full-face)
Artist
Pablo Picasso(Spanish, 1881–1973)Spanish, 1881–1973
CultureSpanish
Titles
- Tête de face. Portrait de Marie-Thérèse de face (Portrait of Marie-Thérèse, Full-face)
Date1934
MediumEtching, aquatint and drypoint with scraping and burnishing
DimensionsPlate: 12 1/2 × 8 15/16 in. (31.8 × 22.7 cm)
Sheet: 17 9/16 × 13 7/16 in. (44.6 × 34.1 cm)
Sheet: 17 9/16 × 13 7/16 in. (44.6 × 34.1 cm)
Credit LineMuseum purchase funded by the Museum Collectors
Object number2004.832
Non exposé
Explore Further
Department
Prints and DrawingsObject Type
Exhibition HistoryExhibited: "Patrons Choice: The Silver Anniversary of The Museum Collectors, The Museum of Fine Arts, Houston," The Museum of Fine Arts, Houston, September 18, 2004 - January 30, 2005. Millennium Gallery and Public Corridor.
Acquisitions of the Last Five Years: Selections of Modern and Contemporary Art, Museum of Fine Arts, Houston, Upper Brown Pavilion, July 15, 2005 - October 15, 2005.
Inscriptions, Signatures and Marks
verso lower edge in pencil: 75B276 */ 131 B276 G417IIb / 18970
printed on the image bottom right in reverse: XXXIV [illegible]
verso lower right a circular stamp in blue: Succ. Pablo PICASSO Coll. Marina PICASSO
verso lower right a circular stamp in blue: Succ. Pablo PICASSO Coll. Marina PICASSO
Catalogue raisonnéBloch 276; Geiser 417.2B; Baer 417.II.B
Cataloguing data may change with further research.
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Pablo Picasso
1905, probably printed 1913
Drypoint on wove paper, proof before steel facing
2000.54
Kerry James Marshall
2010
Aquatint, spit bite aquatint, and sugar-lift aquatint in colors with softground and hardground etching, scraping and burnishing, drypoint, collage and handcoloring on wove paper, artist’s proof 10/10
2017.284
Jim Hodges
2015
Etching, aquatint, sugar lift, spit bite and drypoint in colors with scraping and burnishing on wove paper and brown Gampi paper; screenprint in white ink on white Gampi paper, and hand-cut Beva film, printer’s proof 1/4
2021.502
Pablo Picasso
c. 1946
Drypoint on laid paper, edition of 8
96.853
Pablo Picasso
1936, printed 1961
Drypoint on laid paper, edition 21/50
2007.1166
Vija Celmins
2002, published 2003
Aquatint with burnishing, scraping, and drypoint, edition 24/65
2008.12
Pablo Picasso
1933, printed 1966
Drypoint and etching with incisions on cream laid paper, state IV/IV.C.b.
2018.117