Artist
Edvard Munch (Norwegian, 1863–1944)Norwegian, 1863–1944
CultureNorwegian
Titles
- Mondschein [Moonlight (Night in Saint-Cloud)]
Date1895
PlaceParis, France
MediumDrypoint with open bite and burnishing on wove paper
DimensionsPlate: 12 1/8 × 10 1/8 in. (30.7 × 25.7 cm)
Sheet: 18 3/4 × 13 1/2 in. (47.6 × 34.3 cm)
Sheet: 18 3/4 × 13 1/2 in. (47.6 × 34.3 cm)
Credit LineMuseum purchase funded by the Alvin S. Romansky Prints and Drawings Accessions Endowment Fund
Object number2000.127
Non exposé
Explore Further
Department
Prints and DrawingsObject Type
"After Dark: Night at the Turn of the Century," The Museum of Fine Arts Houston,Jan. 8, 2022-Jan. 29, 2023 [Third Installation/Light-Sensitive Rotation: Kinder Building 207: No Catalog]
Inscriptions, Signatures and Marks
The sheet is unsigned.
Catalogue raisonnéSchiefler 13 ii/iii; Willoch 12 iii/IV; Woll 17, iii/iv
Cataloguing data may change with further research.
If you have questions about this work of art or the MFAH Online Collection please contact us.
Suzanne Manns
1992
Sugar lift aquatint with open-bite, scraping, and burnishing, solvent transfer, and pastel, on wove paper printed relief in yellow
93.162
Edvard Munch
1895–1902
Lithograph on gray-green wove paper
2003.708
Sandro Chia
1981
Aquatint, drypoint, roulette, scraping, and open bite with asphaltum in brown and black on wove paper, edition I/X
96.12.1
Martin Puryear
2016
Drypoint, etching, soft ground etching, sugar lift, open bite and aquatint in colors on wove paper, bon à tirer of an edition of 29
2017.106
Jim Hodges
2015
Etching, aquatint, sugar lift, spit bite and drypoint in colors with scraping and burnishing on wove paper and brown Gampi paper; screenprint in white ink on white Gampi paper, and hand-cut Beva film, printer’s proof 1/4
2021.502
Jim Hodges
2016
Intaglio (sugar lift, spit bite and drypoint with scraping and burnishing), screenprint in light blue ink, woodcut in dark blue ink and collage of inkjet prints, printed chine collé on Gampi paper, on wove paper, printer's proof 4/4, besides an edition of 28
2017.269
Kerry James Marshall
2010
Aquatint, spit bite aquatint, and sugar-lift aquatint in colors with softground and hardground etching, scraping and burnishing, drypoint, collage and handcoloring on wove paper, artist’s proof 10/10
2017.284
Sandro Chia
1981
Aquatint, drypoint, roulette, scraping and open-bite with asphaltum in colors
96.140
Sandro Chia
1981
Aquatint, drypoint, roulette, scraping and open-bite with asphaltum in colors
96.138
Richard Stankiewicz
1964
Open bite etching and relief etching with drypoint in black ink on non-woven polyester, edition 17/20
2000.87
Brice Marden
1986
Sugar lift aquatint, open-bite, and scraping on wove paper
96.207