Melvin Edwards
Good Word from Cayenne

Good Word from Cayenne

© Melvin Edwards

Good Word from Cayenne
Good Word from Cayenne
ArtistAmerican, born 1937
CultureAmerican
Titles
  • Good Word from Cayenne
  • from the series Lynch Fragments
Date1990
PlaceNew York, New York, United States
MediumWelded steel
Dimensions13 1/2 × 11 1/8 × 7 in. (34.3 × 28.2 × 17.8 cm)
Credit LineMuseum purchase funded by the estate of Eleanor Freed Stern
Object number94.134
Non exposé

Explore Further

Object Type
Description

A
native of Houston, Melvin Edwards attended Phillis Wheatley High School in the
mid-1950s, where he was one of two students in his class to also enroll at the
School of the Museum of Fine Arts, Houston. Upon graduation he moved to Los
Angeles, where he attended Los Angeles City College and the University of
Southern California. In 1967 he moved to New York, and in 1970 he was the first
African American sculptor to be recognized by a solo show at the Whitney Museum
of American Art.



Lynch Fragments, first begun in 1963, are Edwards’s most
extended series of sculptures. Prompted in part by the violence that erupted
during civil rights demonstrations, the title of the series refers directly to
America’s brutal history of racist violence. However, each Lynch Fragment carries specific associations that mirror Edwards’s
life and interests. Good Word from
Cayenne
is a tribute to the poet Léon-Gontran Damas (1912–1978) who was
born in Cayenne, French Guiana, and who was one of the founders of the
Négritude movement in Paris in the 1930s.




ProvenanceThe artist; [CDS Gallery, New York]; purchased by MFAH, 1994.
Exhibition History"Espiritu and Materia: Estética Alternativa Norteamericana," Museo de Artes Visuales Alejandro Otero, Caracas, 1991.

"Modernism in a Century of Change III, From Object to Icon: The Art of Assemblage," Museum of Fine Arts, Houston, June 21–August 30, 1998.

"Modern and Contemporary Art: Spotlight on the Collection," Museum of Fine Arts, Houston, February 7–August 27, 2000.

“Crossing State Lines: Texas Art from the Museum of Fine Arts, Houston," Museum of Fine Arts, Houston, September 23, 2000–March 18, 2001.

"African-American Art in the Collection of the Museum of Fine Arts, Houston," Museum of Fine Arts, Houston, February 22–May 9, 2004.

"Statements: African American Art from the Museum's Collection," Museum of Fine Arts, Houston, January 24–September 25, 2016.

"Witness," Nancy and Rich Kinder Building Inaugural Exhibition, Museum of Fine Arts, Houston, November 15, 2020–November 15, 2022.
Inscriptions, Signatures and Marks
Signed and dated with solder, verso: "M. EDWARDS SEPT. 1990"

Cataloguing data may change with further research.

If you have questions about this work of art or the MFAH Online Collection please contact us.

Early Time
Melvin Edwards
1986
Welded steel
94.135
Redemption
Melvin Edwards
1990
Welded steel
94.133
Ranger
Ken Greenleaf
1973
Welded steel
73.183.A,.B
Untitled
DeWitt Godfrey
1989
Welded steel
91.1341
Iphegenia/Titus Andronicus
Joseph Beuys
1985
Positive transparency, negative transparency, paint, steel, and glass, edition 35/45
91.1604
Hideaway Bunker for Lovers' Quarrels
Jim Love
1968
Welded steel, cotton, and sand
2006.15
Postcard from Greece with Plowed Girl
Jim Love
1967
Welded steel and painted plaster
2006.14
Jack
Jim Love
1970–1995
Welded steel
2006.16
Untitled (Model for Bird House)
Jim Love
c. 1990
Welded steel
2006.19
Surely Goodness and Mercy Shall Follow...
Jim Love
1988
Welded steel and scrap pipe
2006.18
Untitled
Richard Hunt
1957
Welded steel, cottonwood, and fir
2020.72
Peter Reginato
1977
Welded steel
86.300