Armchair

CultureAmerican
Titles
  • Armchair
Datec. 1765–1770
Made inPhiladelphia, Pennsylvania, United States
MediumYellow-poplar, soft maple, ash, and hickory
Dimensions45 1/4 × 27 1/4 × 23 3/8 in. (114.9 × 69.2 × 59.4 cm)
Credit LineThe Bayou Bend Collection, gift of Miss Ima Hogg
Object numberB.69.413
Current Location
Bayou Bend Collection and Gardens
Glazed Porch
Exposé

Explore Further

Department
Bayou Bend
Object Type
Description

Windsor, the generic name given to utilitarian turned, stick, and bentwood seating furniture that had originated in England in the 1720s, first appeared in America in Philadelphia about a decade later. Production of high-back Windsors, the earliest form, began in the mid-1740s. While Philadelphia remained an important center, by the end of the century Windsor chairs were being produced all along the Atlantic seaboard. Definite regional traits evolved, occasionally in form, but more commonly in the design of the turned members. This example typifies the early Philadelphia high-back design, with its scrolled ears on the crest rail, elongate vase-turned arm supports, and distinctive combination of cylindrical and blunt arrow turnings in the lower section of the legs. The gently swelling medial stretcher design, which lacks the ball-and-ring turnings of the earliest examples, indicates that this example is slightly later. 

Technical notes: Soft maple (crest rail, turned arm supports, legs, and stretchers), yellow-poplar (seat), ash (arms), hickory (interior spindle).

Related examples: Evans 1996, p. 86, fig. 3–13; Santore 1981, p. 63, no. 29; RISD, an example of the related earlier type (Monkhouse and Michie 1986, p. 204, no. 145).

Book excerpt: David B. Warren, Michael K. Brown, Elizabeth Ann Coleman, and Emily Ballew Neff. American Decorative Arts and Paintings in the Bayou Bend Collection. Houston: Princeton Univ. Press, 1998.


ProvenanceLouis Guerineau Myers (1874–1932), New York; consigned to [American Art Association, American Art Galleries, Louis Guerineau Myers sale, New York, February 25, 1921, lot 489]; purchased by William C. Hogg (1875–1930), Houston, 1921; bequeathed to his sister, Miss Ima Hogg, 1930; given to MFAH, 1969.
Inscriptions, Signatures and Marks
[no inscriptions]
[no marks]

Cataloguing data may change with further research.

If you have questions about this work of art or the MFAH Online Collection please contact us.

Il n'y a pas d'oeuvres à découvrir pour cet enregistrement.