- Boy's Body Coat
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In Joseph Badger’s portrait of John (B.53.13), the young boy has been “breeched” and is attired as an adult: body coat, waistcoat, breeches, shirt, and so forth. A small boy’s coat survives that has traditionally been associated with the portrait; it carries the note: “Coat of / John Gerry / Born 1740 / See / Picture / of / Little Grandpa.” This coat of bright rose worsted bears considerable physical evidence of being the coat in the portrait: the collarless neckline, the eight-button front closure, the flare of the skirt, the bracket- shaped pocket flaps, and the deep sleeve cuffs. Although the trim on the cuffs and pocket flaps is now missing, there is stitching evidence of its previous existence.
Technical Notes: Tabby-weave wool (exterior cloth); silk taffeta (body lining), linen (sleeve lining). Linen has also been used in the inner lining and facings and interfacings. Buckram stiffens the coattails. Wrapped silver thread worked in a star motif covers the buttons, and cream silk thread couches silver thread to outline the button holes.
Book excerpt: David B. Warren, Michael K. Brown, Elizabeth Ann Coleman, and Emily Ballew Neff. American Decorative Arts and Paintings in the Bayou Bend Collection. Houston: Princeton Univ. Press, 1998.
ProvenanceThe sitter's father, Thomas Gerry, until 1774; to the sitter, until 1786; to his daughter Sarah Gerry Orne, until 1846; to her daughter Sarah Wendell Orne Austin (1793–1846): to her son Loring H. Austin; to his daughter Lillian Ivers Austin de Silva; to her son Mark T. de Silva, until 1952; [Hirschl and Adler Galleries, New York]; purchased by Miss Ima Hogg, 1953; given to MFAH, 1969.
Exhibition History"American Made: 250 Years of American Art at the Museum of Fine Arts, Houston," The Museum of Fine Arts, Houston, July 7, 2012–January 2, 2013.
Inscriptions, Signatures and Marks
Cataloguing data may change with further research.
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