Boy's Body Coat

CultureAmerican
Titles
  • Boy's Body Coat
Datec. 1745
Probable placeMassachusetts, United States
MediumTabby-weave wool, silk taffeta, and linen
Dimensions22 1/2 × 23 in. (57.2 × 58.4 cm)
Credit LineThe Bayou Bend Collection, gift of Miss Ima Hogg
Object numberB.69.245
Non exposé

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Department
Bayou Bend
Description

In Joseph Badger’s portrait of John (B.53.13), the young boy has been “breeched” and is attired as an adult: body coat, waistcoat, breeches, shirt, and so forth. A small boy’s coat survives that has traditionally been associated with the portrait; it carries the note: “Coat of / John Gerry / Born 1740 / See / Picture / of / Little Grandpa.” This coat of bright rose worsted bears considerable physical evidence of being the coat in the portrait: the collarless neckline, the eight-button front closure, the flare of the skirt, the bracket- shaped pocket flaps, and the deep sleeve cuffs. Although the trim on the cuffs and pocket flaps is now missing, there is stitching evidence of its previous existence.

Technical Notes: Tabby-weave wool (exterior cloth); silk taffeta (body lining), linen (sleeve lining). Linen has also been used in the inner lining and facings and interfacings. Buckram stiffens the coattails. Wrapped silver thread worked in a star motif covers the buttons, and cream silk thread couches silver thread to outline the button holes. 

Book excerpt: David B. Warren, Michael K. Brown, Elizabeth Ann Coleman, and Emily Ballew Neff. American Decorative Arts and Paintings in the Bayou Bend Collection. Houston: Princeton Univ. Press, 1998.


ProvenanceThe sitter's father, Thomas Gerry, until 1774; to the sitter, until 1786; to his daughter Sarah Gerry Orne, until 1846; to her daughter Sarah Wendell Orne Austin (1793–1846): to her son Loring H. Austin; to his daughter Lillian Ivers Austin de Silva; to her son Mark T. de Silva, until 1952; [Hirschl and Adler Galleries, New York]; purchased by Miss Ima Hogg, 1953; given to MFAH, 1969.
Exhibition History"American Made: 250 Years of American Art at the Museum of Fine Arts, Houston," The Museum of Fine Arts, Houston, July 7, 2012–January 2, 2013.
Inscriptions, Signatures and Marks
[no inscriptions]
[no marks]

Cataloguing data may change with further research.

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