sliderarrowCloseMenushare_facebookshare_instagramshare_xshare_linkedinshare_threadsshare_shareshare_tranditionalshare_calendarshare_emailicon_threadsconnect_facebookconnect_instagramconnect_xconnect_youtubeconnect_atbtn_arrowhamburger-x
Skip to main content
Menu Collections

Design for a Fountain with Two Satyrs and a Nymph

ArtistItalian, 1728–1781
CultureItalian
Titles
  • Design for a Fountain with Two Satyrs and a Nymph
Datec. 1760–1780
MediumPen and brown ink and wash over red chalk and traces of graphite on laid paper
DimensionsSheet: 11 9/16 × 8 3/16 in. (29.4 × 20.8 cm)
Credit LineMuseum purchase funded by the Alvin S. Romansky Prints and Drawings Accessions Endowment and the Vaughn Foundation Fund
Object number2024.70
Non exposé

Explore Further

ProvenanceEstates of Mr. Arthur Gold (1917-1990) and Mr. Robert Fizdale (1920-1995); [Sotheby’s, New York, Old Master Drawings sale, 29 January 1997, lot 19]; Collection of Jimmy Younger (1928-2022), Houston, 1997-2024; [Sotheby’s, New York, The Estate of Jimmy Younger, 31 January 2024, lot 248]; purchased by MFAH, 2024.
Exhibition HistoryNone known for this drawing.
Inscriptions, Signatures and Marks
Recto: Inscribed in black chalk, top right edge: Ubaldo Gandolfi [cursive]
Verso: [inaccessible]
Watermark: none visible
Catalogue raisonnéNone

Cataloguing data may change with further research.

If you have questions about this work of art or the MFAH Online Collection please contact us.

The Ecstasy of Saint Mary Magdalene
Benedetto Luti
c. 1715–1719
Pen and ink and brown wash over traces of chalk, heightened with white on laid paper
2011.210
The Triumph of Bacchus
Domenico Piola
c. 1642–1703
Pen and brown ink, brush and brown wash, over red chalk, squared for transfer with red chalk on laid paper
2015.260
Study for the Decoration of a Façade
Cherubino Alberti
1594–1595
Black chalk, pen and brown iron gall ink, brown wash with traces of black chalk
2018.130
Compositional Study for Le Combat des Section d’Infanterie
Jacques Callot
c. 1616
Pen and brown ink and wash and red chalk over black chalk on laid paper
2017.226
Le Grand Escalier (The Large Staircase)
Hubert Robert
1761–1765
Pen and black ink, brush and gray wash and watercolor with traces of black chalk on laid paper with watermark
44.545
Image provided by curatorial.
Orazio Samacchini
c. 1570–77
Pen and brown ink, and brush and brown wash, incised, pricked and squared in red chalk on laid paper
2025.709
Studies of Male Nudes and a Pair of Putti from the Sistine Chapel Ceiling, after Michelangelo
Unknown Italian
Mid- to late 16th century
Black and red chalk, pen and brown ink with brown wash on laid paper
2020.480
The Fall of Phaeton
Giovanni Battista Foggini
c. 1710–24
Pen and brown ink, brush and brown wash over black chalk, and heightened with white on laid paper
2020.479
Jean-Honoré Fragonard
possibly 18th century or probably 19th century
Brush and brown wash, probably bistre, pen and brown ink over red ink underdrawing heightened and corrected with white lead on paper
83.224
Drawing for Plank Cabinet 1
Andrea Branzi
2014
Collage of gray and white cut papers with pastel, pen and ink, and fiber-tipped pen over traces of graphite on gray wove paper
2017.209
Drawing for Plank Cabinet 8
Andrea Branzi
2014
Collage of cut papers with pen and ink, fiber-tipped pen and pastel over traces of graphite on gray wove paper
2017.212
Ubaldo Gandolfi