Harold Joe Waldrum
La sombra de la ventana hacia el oeste de la cappilla de San Antonio de Chacon (Window at Chacon)

Overall recto.
La sombra de la ventana hacia el oeste de la cappilla de San Antonio de Chacon (Window at Chacon)
Overall recto.
CultureAmerican
Titles
  • La sombra de la ventana hacia el oeste de la cappilla de San Antonio de Chacon (Window at Chacon)
Date1998
MediumEtching with aquatint and drypoint on wove paper, progressive proof
DimensionsPlate: 16 7/8 × 16 11/16 in. (42.8 × 42.4 cm)
Sheet: 22 3/4 × 22 7/16 in. (57.8 × 57 cm)
Credit LineGift of Michael W. Dale
Object number2023.81
Current Location
The Audrey Jones Beck Building
Ll 20 Public Corridor
Exposé

Explore Further

Object Type
Provenance Research Ongoing Inscriptions, Signatures and Marks
Recto: Editioned in graphite, below plate, left bottom edge: PP
Recto: Signed in graphite, below plate, right bottom edge
Recto: Chopmark, below plate, right bottom edge

Cataloguing data may change with further research.

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Overall recto
Harold Joe Waldrum
1998
Etching in five colors on wove paper, progressive proof
2023.79
Overall recto.
Harold Joe Waldrum
1998
Etching in six colors on wove paper, shop impression
2023.80
St. Martin de la Place
Earl Stroh
c. 1959
Etching and drypoint on wove paper, edition 19/75
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James Turrell
c. 1988
Aquatint, photoetching, etching, soft ground etching, and drypoint in colors [left]; Aquatint, photoetching, soft ground etching and etching in colors on wove paper [right], working proof
96.470
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2010
Aquatint, spit bite aquatint, and sugar-lift aquatint in colors with softground and hardground etching, scraping and burnishing, drypoint, collage and handcoloring on wove paper, artist’s proof 10/10
2017.284
uncropped recto of sheet
Edgar Chahine
no date, published 1974
Drypoint etching
75.417.7
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Francisco de Goya
1799
Etching and aquatint printed in grayish-black ink on laid paper with deckle edges, 1st edition
2022.284
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Pablo Picasso
1905, probably printed 1913
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2000.54
Winter Speaks
Jim Hodges
2015
Etching, aquatint, sugar lift, spit bite and drypoint in colors with scraping and burnishing on wove paper and brown Gampi paper; screenprint in white ink on white Gampi paper, and hand-cut Beva film, printer’s proof 1/4
2021.502
Portrait of Artist's Mother
Luis Jiménez
2002-04
Etching, drypoint, and aquatint on wove paper, state II/II, proof
2021.610